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Early Recording Cultures in Spain, 1880-1905: Towards a Transnational History

西班牙的早期记录文化，1880-1905 年：迈向跨国历史

基本信息

批准号：
AH/R001804/1
负责人：
Eva Moreda Rodriguez
金额：
$ 17.62万
依托单位：
University of Glasgow
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2018
资助国家：
英国
起止时间：
2018 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FR001804%2F1
关键词：
Early Recording Cultures Spain 1880

项目摘要

The current project seeks to produce the first critical account of the early history of phonography in Spain, from1880 to 1905; in doing so, it aims to set the foundations of a transnational, context-sensitive understanding of the early history of musical recordings, fully integrating both local specificities and issues of national identity, memory, affection, mobility, modernity and others. The project addresses the research questions: How was the reception of early recording technologies in Spain informed by local practices and cultural specificities? What can we learn from the study of such practices and specificities to build the foundations of a transnational history of phonography which integrates context-specific developments with broader trends?Even though the last decade has seen a surge of interest in early recordings as both documents of performance and cultural artefacts, the present project is relevant and necessary because most such studies have focused on industrially and technologically advanced countries fully integrated into the trade networks which made it possible for artefacts and discourses to circulate (the United States, United Kingdom, France, Germany). Similarly, central to many such studies are repertoires regarded as central in the nineteenth- and early twentieth-century musical canon (e.g. the Austro-Germanic symphony; Lieder; opera, etc.). This geographical and cultural focus tends to be implicit rather than explicitly acknowledged; what the current study aims to do is to bring to the forefront local practices, repertoires and attitudes to technologies in order to fully explain the early impact of recording technologies on listening and cultural practices at a global level and set the foundations for a transnational history of recorded music. The research questions will be answered through interrogation of a number of audio-visual and textual primary sources: original recordings; their boxes, labels and other packaging; newspaper and magazine articles focusing on specific events or artefacts, or on the phenomenon of phonography more generally; photographs of phonographs or of events having to do with recorded music; advertisements, catalogues and commercial documents (commercial correspondence, etc.) of recording studios; passages from memoirs and private letters on the subject of recorded music; books from the period 1880-1905 about the contemporaneous developments in recorded music and on science, technology and understandings of modernity.The results of the research will reach academic and non-academic beneficiaries through the following channels:-A monograph and two articles in highly rated-journals, as well as at least two conference presentations.-A symposium bringing together for the first time scholars of early recording in individual countries as well as archivists/librarians working with early recordings. Follow-up activities include a special issue of a journal.-A Digital Humanities project, Stories of Early Phonography, presenting the results from the project under the form of an interactive map and fostering reflection among researchers, archivists/librarians, expert users and the general public about how narratives of early recorded music have been and are constructed, and the role of cultural specificities in both.-A public engagement event at the Spanish Song and Zarzuela Festival in London consisting of a roundtable academic experts on Spanish music and representatives for institutions focusing on the promotion of Spanish music and culture abroad. The roundtable will discuss the challenges of promoting Spanish culture abroad and develop innovative ideas to do so will be brought up, with a view to developing at least some of them in future editions of the festival.

目前的项目旨在制作第一部关于1880年至1905年西班牙早期留声机史的批判性记录;在此过程中，它的目标是为跨国、上下文敏感地理解早期音乐唱片历史奠定基础，充分整合当地的具体情况和民族认同、记忆、情感、流动性、现代性等问题。该项目解决的研究问题：如何接收早期记录技术在西班牙通知当地的做法和文化特点？我们可以从这些做法和特殊性的研究中学到什么，以建立一个跨国的表音学历史的基础，将特定背景的发展与更广泛的趋势相结合？尽管在过去十年中，人们对早期录音作为表演文献和文化艺术品的兴趣激增，但本项目是相关和必要的，因为大多数这类研究都集中在工业和技术先进的国家，这些国家完全融入了使艺术品和话语得以传播的贸易网络（美国、联合王国、法国、德国）。同样，许多此类研究的核心是被认为是19世纪和20世纪早期音乐经典的核心曲目（例如，奥地利-日耳曼交响乐;艺术歌曲;歌剧等）。这种地理和文化的重点往往是含蓄的，而不是明确承认;目前的研究旨在做的是把最前沿的地方做法，剧目和态度的技术，以充分解释早期的影响，录音技术在全球一级的收听和文化习俗，并设置记录音乐的跨国历史的基础。研究问题将通过询问一些视听和文本的主要来源来回答：原始录音;它们的盒子、标签和其他包装;报纸和杂志上关于具体事件或人工制品或关于更普遍的留声机现象的文章;留声机或与录音音乐有关的事件的照片;广告、目录和商业文件（商业信函等）录音棚;关于录音音乐的回忆录和私人信件的段落; 1880-1905年期间关于录音音乐和科学的当代发展的书籍，技术和对现代性的理解。研究结果将通过以下渠道到达学术和非学术受益者：-一本专著和两篇在高评级期刊上的文章，以及至少两次会议演讲。第一次将各国早期录音学者以及从事早期录音工作的档案学家/图书馆员聚集在一起的研讨会。后续活动包括一份期刊的特刊。一个数字人文项目，早期留声机的故事，以互动地图的形式呈现项目的结果，并促进研究人员，档案管理员/图书馆员，专家用户和公众对早期录制音乐的叙述如何进行反思已经和正在构建，以及文化特性在两者中的作用。在伦敦的西班牙歌曲和Zarzuela音乐节上举行了一次公众参与活动，包括西班牙音乐学术专家圆桌会议和致力于在国外推广西班牙音乐和文化的机构代表。圆桌会议将讨论在国外推广西班牙文化的挑战，并提出创新的想法，以期在未来的节日中至少发展其中的一些。