Cultural Creativity in Qing China 1796-1912

清代中国的文化创意 1796-1912

基本信息

  • 批准号:
    AH/T001895/1
  • 负责人:
  • 金额:
    $ 91.66万
  • 依托单位:
  • 依托单位国家:
    英国
  • 项目类别:
    Research Grant
  • 财政年份:
    2020
  • 资助国家:
    英国
  • 起止时间:
    2020 至 无数据
  • 项目状态:
    未结题

项目摘要

This original, interdisciplinary and international project will conduct the first genre-spanning study of how Chinese cultural creativity during the long final century of the Qing empire (1796-1912) demonstrated extraordinary resilience amid exceptional levels of violence, and political and social turmoil. We will examine how these convulsions catalysed innovation in material culture (including print, painting, calligraphy, ceramics, textiles, architecture and photography) during a century in which China's art, literature, crafts and technology faced unprecedented exposure to global influences. 1796 - the official end of the reign period of the Qianlong emperor - is viewed as the end of the 'high Qing' and the start of a period of protracted crisis. In 1912, the last emperor, Puyi, abdicated after the revolution of 1911, bringing to an end some 2,000 years of dynastic rule and making way for the republic. The research will explore the distinctive ways in which material culture illuminates changing political and social identities (especially in groups often excluded from the written record) and lived experience at many levels of society, and supports or subverts textual narratives. It will innovate by uniting museum and academic expertise in late imperial China, and fully integrating material and visual culture with textual history, to collaborate on research that through publications and a major exhibition will communicate to diverse audiences a new narrative about late Qing rule. There is a pressing need to revisit, through the prism of material culture, the late Qing era, which until recently has been mainly defined as an era of cultural stagnation and 'national humiliation'. This project will build on recent scholarship to establish a new understanding of 19th-century China's innovations and create a detailed visual account of its responses to war, technology, urbanisation, political identities and external influences. The research also has urgent contemporary resonance. This century forms a crucial bridge to the modern, post-imperial era. Interpretations of the 19th century are fundamental to governance, culture and political legitimacy in China today. In contemporary China, conflicts with Western and Japanese imperialism in the 19th century remain at the front of public memory. Analysts look to the late imperial period to understand the factors that underpin China's current success, as well as the history of strategies to meet enduring political, economic, social, ethnic and environmental challenges. Now that the People's Republic of China (PRC) is reasserting itself internationally, we need to understand the origins and nature of the multi-ethnic modern Chinese state for clues about the kind of global player the PRC is becoming. Disseminating cutting-edge research reliant on 19th-century primary sources to as broad an audience as possible is essential to maintaining rigorous, evidence-based debate about China's past and present. Through academic and public outreach, this project will effectively convey the complexity of this crucial era to both constituencies. The project will have a lasting impact through - in addition to its major exhibition and accompanying book of essays - an international conference and edited volume examining material culture via key themes in late imperial Chinese history: war, empire, localisation and globalisation. The questions raised will help shape the next generation of scholarship. Relying on global collaborations, the research will facilitate dialogue among and between international experts on 19th-century China, and general audiences. It will enable both established and early career scholars to conduct research that will enhance their careers and forge strong links between museums and universities across Asia, Europe and the US. It will highlight individual responses to the century's challenges and crises, charting the diversity of experience across China's society and landscape.
这个原创的、跨学科的国际项目将进行第一次跨流派的研究,研究中国文化创造力在漫长的清朝最后一个世纪(1796-1912)如何在异常严重的暴力和政治和社会动荡中表现出非凡的韧性。我们将考察在中国的艺术、文学、手工艺和技术面临前所未有的全球影响的一个世纪里,这些动荡是如何催化物质文化(包括印刷、绘画、书法、陶瓷、纺织品、建筑和摄影)的创新的。1796年--乾隆皇帝统治时期的正式结束--被视为“盛清”的结束和一段长期危机的开始。1912年,末代皇帝溥仪在辛亥革命后退位,结束了约2000年的王朝统治,为共和国让路。这项研究将探索物质文化如何以独特的方式阐释不断变化的政治和社会身份(特别是在经常被排除在书面记录之外的群体中)和社会多个层面的生活经验,并支持或颠覆文本叙事。它将创新,将已故帝王中国的博物馆和学术专业知识结合起来,将物质和视觉文化与文献史充分结合,合作进行研究,通过出版物和大型展览向不同的观众传达关于晚清统治的新叙事。人们迫切需要通过物质文化的棱镜重新审视晚清时代,直到最近,晚清时代还主要被定义为文化停滞和“国耻”的时代。这个项目将建立在最近的学术基础上,以建立对19世纪中国创新的新理解,并对其对战争、技术、城市化、政治身份和外部影响的反应进行详细的视觉描述。这项研究在当代也引起了迫切的共鸣。本世纪是通向现代后帝国时代的重要桥梁。对19世纪的解读是当今中国执政、文化和政治合法性的基础。在当代中国,19世纪与西方和日本帝国主义的冲突仍然是公众记忆中的焦点。分析人士着眼于帝国末期,以了解支撑中国目前成功的因素,以及应对长期政治、经济、社会、民族和环境挑战的战略历史。现在,中华人民共和国中国(中华人民共和国)在国际上重新确立了自己的地位,我们需要了解这个多民族现代中国国家的起源和性质,以寻找中华人民共和国正在成为什么样的全球参与者的线索。将依赖于19世纪原始资料的尖端研究传播给尽可能广泛的受众,对于保持对中国过去和现在的严谨、基于证据的辩论至关重要。通过学术和公众宣传,该项目将有效地向这两个群体传达这一关键时代的复杂性。除了大型展览和随附的散文集外,该项目还将通过一个国际会议和编辑的卷,通过战争、帝国、本地化和全球化等中国帝国晚期历史的关键主题来考察物质文化,从而产生持久的影响。提出的问题将有助于塑造下一代学术。依靠全球合作,这项研究将促进19世纪中国研究的国际专家和普通观众之间的对话。它将使知名学者和早期职业学者能够进行研究,促进他们的职业生涯,并在亚洲、欧洲和美国的博物馆和大学之间建立牢固的联系。它将突出个人对本世纪挑战和危机的反应,描绘中国整个社会和风景中经历的多样性。

项目成果

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Jessica Harrison-Hall其他文献

Jessica Harrison-Hall的其他文献

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{{ truncateString('Jessica Harrison-Hall', 18)}}的其他基金

Ming: Courts and Contacts 1400-1450 (working title)
明:法院和接触 1400-1450(暂定标题)
  • 批准号:
    AH/J005479/1
  • 财政年份:
    2012
  • 资助金额:
    $ 91.66万
  • 项目类别:
    Research Grant

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