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The Invisible Women - Developing a Feminist Approach to Film Archive Metadata and Cataloguing

看不见的女人 - 发展电影档案元数据和编目的女权主义方法

基本信息

批准号：
AH/W001756/1
负责人：
Keith Mark Johnston
金额：
$ 35.49万
依托单位：
University of East Anglia
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2021
资助国家：
英国
起止时间：
2021 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FW001756%2F1
关键词：
Invisible Women Developing Feminist Approach

项目摘要

Our project, "The Invisible Women - Developing a Feminist Approach to Film Archive Metadata and Cataloguing" intends to explore how film archives can take practical action to update, enhance and improve catalogue metadata via feminist research methodologies. By using this approach, we will reveal the hidden heritage related to women's creativity.Digital metadata and catalogue records are a crucial element of how different archives represent the collections and materials they hold. Recent research has shown how existing assumptions can lead to key absences within data sets, with different groups being overlooked and hidden, including women. Within film archives records and cataloguing guidelines, for instance, international metadata schemas make women's contributions invisible by not identifying the gender of individuals. The absence of a feminist-informed approach to digital curation within existing film archive metadata systems has meant that women's creative labour is not fully acknowledged within catalogue records, which can lead to their creativity being invisible within national and regional film collections.This project expands out from a pilot study of catalogue records from six UK regional archives conducted in 2019 which revealed the current paucity of detailed catalogue metadata relating to women filmmakers. Working with film archives, many of which are aware of the practical difficulties in converting a commitment to women filmmakers into practical actions and the limitations of recognised archival standards, wee will focus on two key aspects: a) Offering practical interventions to qualify and expand existing and new metadata within film archives (and other archival practices)b) Exploring the cataloguing of women amateur filmmakers across two national collections: the Institute of Amateur Cinematographers at the East Anglian Film Archive (EAFA) and the collections of the IFI Irish Film Archive (IIFA).Women's filmmaking labour has been historically underrepresented and unacknowledged, in the world of film archives as much as in other aspects of creative work and cultural heritage. We will focus here on women within amateur filmmaking - an alternative arena of creative production that has given voice to women's creativity, interests, and concerns for almost a century. Yet amateur films have been a low priority for cataloguing or digitisation, which means there is limited metadata relating to the women filmmakers involved: records that tend to reduce or overlook women's creative labour, particularly in multiple-authored work.By combining a focus on hidden women's creativity, the world of the women amateur filmmakers in the UK and Ireland, and the practical steps that archives can take to deepen and enrich existing and new catalogue metadata, we intend to make visible what is currently invisible. This will include creating newly digitised films by these innovative women, offering fuller catalogue records, and the practical application of our research with our partners EAFA and IIFA.

我们的项目，“看不见的女人-发展一种女权主义的方法，以电影档案元数据和编目”打算探讨如何电影档案馆可以采取实际行动，更新，增强和改善目录元数据通过女权主义的研究方法。通过使用这种方法，我们将揭示与女性创造力有关的隐藏遗产。数字元数据和目录记录是不同档案馆如何代表其所持有的收藏品和材料的关键要素。最近的研究表明，现有的假设如何导致数据集中的关键缺失，不同的群体被忽视和隐藏，包括妇女。例如，在电影档案记录和编目准则中，国际元数据模式不确定个人的性别，从而使妇女的贡献不可见。在现有的电影档案元数据系统中，缺乏一种基于女权主义的数字策展方法，这意味着妇女的创造性劳动在目录记录中没有得到充分承认，这可能导致他们的创造力在国家和地区电影收藏中不可见。该项目扩展自2019年对英国六个地区档案馆的目录记录进行的试点研究，该研究揭示了目前缺乏与女电影制作人有关的详细目录元数据。与电影档案馆合作，其中许多人都意识到将对女性电影制作人的承诺转化为实际行动的实际困难以及公认的档案标准的局限性，我们将重点关注两个关键方面：a）提供切实可行的干预措施，对电影档案中现有的和新的元数据进行资格鉴定和扩充（和其他档案做法）B）探索两个国家收藏的女性业余电影制片人的编目：东盎格鲁电影档案馆（EAFA）的业余电影摄影师协会和IFI爱尔兰电影档案馆（IIFA）的收藏。妇女的电影制作劳动历来代表性不足，不被承认，在电影档案的世界中，以及在创作工作和文化遗产的其他方面。在这里，我们将重点关注业余电影制作中的女性--这是一个创造性生产的替代竞技场，近世纪来，它一直在表达女性的创造力、兴趣和关注。然而，业余电影在编目或数字化方面一直处于较低的优先地位，这意味着与参与其中的女性电影制片人相关的元数据有限：记录，往往减少或忽视妇女的创造性劳动，特别是在多人创作的工作。通过结合对隐藏的妇女的创造力，在英国和爱尔兰的妇女业余电影制片人的世界，以及档案馆为深化和丰富现有的和新的目录元数据可以采取的实际步骤，我们打算使目前看不见的东西变得可见。这将包括由这些创新女性创作新的数字化电影，提供更完整的目录记录，以及我们与合作伙伴EAFA和IIFA的研究的实际应用。