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Cyborg Soloists: Advancing Interdisciplinary Music in the Post-Internet Age Through New Musician-Technology Interactions.

机器人独奏家：通过新的音乐家技术互动推进后互联网时代的跨学科音乐。

基本信息

批准号：
MR/T043059/1
负责人：
Zubin Kanga
金额：
$ 152.57万
依托单位：
Royal Holloway University of London
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2021
资助国家：
英国
起止时间：
2021 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=MR%2FT043059%2F1
关键词：
Cyborg Soloists Advancing Interdisciplinary Music

项目摘要

The project will achieve these objectives by addressing the following research questions:- How can Interdisciplinary Music be advanced beyond its current practice by collaborating with leading technologicalinnovators?- How can recent developments in electronics instruments, motion sensors, AI, virtual reality, web design and interactive animation and other technological innovations be used by creative musicians in new ways to create ambitious new work?- How can musicians utilise specialist technological expertise in achieving more ambitious uses of film, analogue synthesisers and other existing technologies?- Can these technological innovations be applied to other arts and other industries?Cyborg Soloists will address these questions by creating a Centre for R&D in Interdisciplinary Music at Royal Holloway. TheCentre will combine the resources of the Music, Media Arts, Drama, Electrical Engineering, and Computer Sciencedepartments. Internationally renowned musicians and technological innovators will be invited to create work that expandsthe field of interdisciplinary music that will then be toured to major international festivals and venues. The hub will hostresidencies for visiting artists, giving these bespoke teams the time and resources to tackle the technical and artisticchallenges limiting the expansion of the field. The applicant will lead the projects, mentor the collaborators, and be one ofthe primary artists in most of the projects. Ethnographic documentation of the projects will be used to research the creativeprocesses leading to new insights into musician-technology interactions. And the new and adapted technologies will havewide applications across musical genres, other performing arts, as well as having wider applications in human-computerinteractions.By creating research teams between musicians and technological innovators, a range of ambitious, innovative new projectswill be explored, focused on the following topic areas:Extending the BodyCreating cyborg musicians through the use of motion sensors, 3D motion capture, and brainwave scanning tech.Remaking the OldRepurposed analogue technologies, expanding the possibilities of analogue synthesisers, and of common analoguetechnologies such as tape machines and turntablesFilm-Body interactionCompositions featuring live video interaction with the performer, using new films featuring performers and composers, andre-editing existing filmsHyperinstrumentsCreating new musical instruments that extend existing ones with electronics. These would range from expansions of newdigital instruments (such as Air Sticks), new surface-based sensors, instruments featuring in-built sensors, and newacoustic instruments using 3D-printing technologyAI and new types of interaction with computersArtificial Intelligence to develop computerised co-performers (acting as chamber musicians) and create new types of visualinteraction.Music with Virtual RealityVirtual reality to create musical works that expand on RHUL's StoryFutures project and Jonathan Packam's VR scores.Music using the Internet and Mobile TechnologiesExploring the use of mobile phones for audience interaction, as well as website-based crowdsourced compositionsHybrid Installation WorksLong form performances and works created for art spaces, facilitating new types of audience interaction. Staged Hybrid WorksInviting directors and theatre practitioners to create major works with composers and performers, featuring thetechnological innovations developed. Research Outputs from the project will including the 25 compositions, at least 10 new technological innovations developed with industry partners, performance tours by the applicant and invited collaborators, 12 journal articles, 12 conference papers, new software and hardware, 2 conferences, 2 festivals, and an edited bookabout new directions in interdisciplinary music.

该项目将通过解决以下研究问题来实现这些目标：-跨学科音乐如何通过与领先的技术创新者合作而超越目前的实践？电子仪器，运动传感器，人工智能，虚拟现实，网页设计和互动动画以及其他技术创新的最新发展如何被创意音乐家以新的方式用于创作雄心勃勃的新作品？音乐家如何利用专业技术知识来实现电影、模拟合成器和其他现有技术的更雄心勃勃的用途？-这些技术创新能否应用于其他艺术和其他行业？电子人独奏家将通过在皇家霍洛威创建一个跨学科音乐研发中心来解决这些问题。该中心将联合收割机的资源，音乐，媒体艺术，戏剧，电机工程，和计算机科学部门。国际知名的音乐家和技术创新者将被邀请创作作品，扩大跨学科音乐的领域，然后将在主要的国际节日和场所巡回演出。该中心将为来访的艺术家提供驻地，让这些定制团队有时间和资源来解决限制该领域扩张的技术和艺术挑战。申请人将领导项目，指导合作者，并成为大多数项目的主要艺术家之一。这些项目的民族志文件将用于研究创造性的过程，从而对音乐家与技术的互动产生新的见解。新的和经过改造的技术将广泛应用于音乐流派，其他表演艺术，以及在人机交互方面的更广泛应用。通过建立音乐家和技术创新者之间的研究团队，将探索一系列雄心勃勃的创新项目，重点关注以下主题领域：通过使用运动传感器、3D运动捕捉和脑波扫描技术，创造电子音乐家。重塑旧的模拟技术，扩展模拟合成器和普通模拟技术（如磁带机和转盘）的可能性电影-身体互动作品具有与表演者的现场视频互动，使用以表演者和作曲家为特色的新电影，以及重新编辑现有电影超级乐器创造新的乐器，用电子设备扩展现有乐器。这些将从扩展新的数字仪器（如空气棒），新的表面传感器，具有内置传感器的仪器，以及使用3D打印技术的新型声学仪器人工智能和与计算机的新型交互人工智能，以开发计算机化的合作者（作为室内音乐家）音乐与虚拟现实虚拟现实创建音乐作品，扩展RHUL的StoryFutures项目和Jonathan Packam的VR乐谱。音乐利用互联网和移动的技术探索使用移动的电话进行观众互动，以及基于网站的众包作品混合装置作品为艺术空间创作的长篇表演和作品，促进新类型的观众互动。邀请导演和戏剧从业者与作曲家和表演者一起创作主要作品，以技术创新为特色。该项目的研究成果将包括25个作品，与行业合作伙伴开发的至少10项新技术创新，申请人和受邀合作者的表演图尔斯，12篇期刊文章，12篇会议论文，新的软件和硬件，2个会议，2个节日，以及一本关于跨学科音乐新方向的编辑书籍。