AHRC COLLABORATIVE DOCTORAL STUDENTSHIP: A MIDSUMMER NIGHT'S DREAM

AHRC 合作博士生：仲夏夜之梦

• 批准号: 1614459
• 金额: --
• 依托单位: University of Birmingham
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2015
• 资助国家: 英国
• 起止时间: 2015 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-1614459
• 关键词: AHRC; COLLABORATIVE; DOCTORAL; STUDENTSHIP; MIDSUMMER

The first stage of the study will look to site the project within the larger context of participation, cultural policy and amateur/professional productions in the UK in the 21st century. This could include exploration and analysis of the RSC's own Open Stages programme, as well as potentially looking at work such as York Theatre Royal's Mystery Plays, Slung Low and Sheffield Theatre's Camelot and National Theatre of Wales' The Passion which all use text's which could arguably be described as being connected to national identity as their starting point for productions combining professional and amateur performers.The second stage will be shaped by the material generated through A Midsummer Night's Dream: A Play for the Nation exploring the connections between the RSC and regional amateur companies. This will include documentation and analysis of rehearsal, production and participation strategy, interviews with professional and amateur participants and regional venues, audience and critical responses and evaluation of stated aims and eventual outcomes. The study will seek to map the methodologies of the project, exploring how these might be applied subsequently, both by the RSC and by other national level productions.

该研究的第一阶段将把该项目置于21世纪英国的参与、文化政策和业余/专业制作的更大背景下。这可能包括探索和分析皇家莎士比亚剧团自己的开放舞台节目，以及潜在的工作，如约克剧院皇家的神秘剧，Slung Low和谢菲尔德剧院的《卡米洛特》和威尔士国家剧院的《激情》都使用了可以说是与民族身份有关的文本，作为他们结合专业和业余表演者制作的起点。将通过《仲夏夜之梦：为国家而战》产生的材料来塑造，探索RSC和地区业余公司之间的联系。这将包括记录和分析排练，制作和参与策略，与专业和业余参与者和区域场地的访谈，观众和关键反应以及对既定目标和最终结果的评估。这项研究将设法绘制项目的方法图，探讨区域服务中心和其他国家一级的制作如何随后应用这些方法。