Electronic Music Studios in Musical, Commercial and International Perspective

音乐、商业和国际视角下的电子音乐工作室

• 批准号: 1650320
• 金额: --
• 依托单位: Royal College of Art
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2015
• 资助国家: 英国
• 起止时间: 2015 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-1650320
• 关键词: Electronic; Music; Studios; Musical; Commercial

My project is a critical investigation into the history of Electronic Music Studios, a London-based studio and electronic instrument company founded in 1969. EMS was set up during a period of significant activity in electronic composition, intermedia art and the development of music technology. It was unique in being both a working studio in which composers, including Harrison Birtwistle and Hans Werner Henze, could realise new music, and a manufacturer of commercial synthesisers. During the early 1970s, the hybrid digital/analogue system developed at EMS was among the most advanced of its time, making the studio an important location in the development of computer music. Drawing on archival research, oral history practice and theoretical readings from the philosophy of technology, my account of EMS situates it in wider musical, cultural, media historical and technological contexts, as well as commenting on its relevance in the present day through synthesizer reconstruction and restoration projects.

我的项目是对电子音乐工作室的历史进行批判性调查，电子音乐工作室是一家成立于1969年的伦敦工作室和电子乐器公司。EMS成立于电子作曲、媒介艺术和音乐技术发展的重要时期。它的独特之处在于它既是一个工作室，包括Harrison Birtwistle和Hans Werner Henze在内的作曲家可以实现新的音乐，也是商业合成器的制造商。在20世纪70年代初，EMS开发的混合数字/模拟系统是当时最先进的系统之一，使工作室成为计算机音乐发展的重要场所。利用档案研究，口述历史实践和技术哲学的理论阅读，我对EMS的描述将其置于更广泛的音乐，文化，媒体历史和技术背景中，并通过合成器重建和修复项目评论其在当今的相关性。

项目成果

Delian Modes: Listening for Delia Derbyshire in Histories of Electronic Dance Music

Delian Modes：聆听 Delia Derbyshire 的电子舞曲历史

• DOI: 10.12801/1947-5403.2017.09.01.01
• 发表时间: 2017
• 期刊: Dancecult
• 作者: Morgan F

Pioneer Spirits: New media representations of women in electronic music history

先锋精神：电子音乐史上女性的新媒体表现

• DOI: 10.1017/s1355771817000140
• 发表时间: 2017
• 期刊: Organised Sound
• 影响因子: 0.6
• 作者: Morgan F