Grasping the soul: A practice-led investigation of storytelling, crime and digital narrative design, aimed at evaluating how participatory digital art

抓住灵魂：以实践为主导的对故事讲述、犯罪和数字叙事设计的调查，旨在评估参与性数字艺术

• 批准号: 2120549
• 金额: --
• 依托单位: University of the Arts London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2018
• 资助国家: 英国
• 起止时间: 2018 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2120549
• 关键词: Grasping; soul; practice; led; investigation

Grasping the soul: A practice-led investigation of storytelling, crime and digital narrative design, aimed at evaluating how participatory digital arts practice impacts personal transformation.The societal challenge of prisoner rehabilitation exerts pressure on policy makers and public sector finances (Maruna, et al 2001). I spent time in prison (1995-6) and was subsequently driven to found 'Stretch' (www.stretch-charity.org) that has designed projects which facilitate transformation in criminal justice communities through artistic engagement since 2003, the last seven years with digital narratives (Fig. 1). The role the arts play in rehabilitation is now recognised (Creative Health, 2017 p.109-111). This recognition and the theory that a role for cultural institutions and educators as the 'keepers of narratives' and their political position in the education of the masses or oppressed(Freire, et al 1970,1984) underpins my methodology

抓住灵魂：一项以实践为导向的关于讲故事、犯罪和数字叙事设计的调查，旨在评估参与性数字艺术实践如何影响个人转变。囚犯改造的社会挑战给政策制定者和公共部门的财政带来压力(Maruna等人，2001年)。我在监狱里度过了一段时间(1995年至2006年)，随后被驱使成立了“Stretch”(www.stretch-charity.org)，自2003年以来，该公司设计了通过艺术参与促进刑事司法界变革的项目，这是数字叙事的最后七年(图1)。艺术在康复中所起的作用现已得到承认(《创意健康》，2017年，第109-111页)。这种认识以及文化机构和教育工作者作为叙事守护者的角色以及他们在大众或受压迫的教育中的政治地位(Freire，et al 1970,1984)的理论支撑了我的方法