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Latin American Women's Political Documentary: Practices and Aesthetics 1975-1990

拉丁美洲女性政治纪录片：实践与美学 1975-1990

基本信息

批准号：
2243108
负责人：
金额：
--
依托单位：
University College London
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2019
资助国家：
英国
起止时间：
2019 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2243108
关键词：
Latin American Women Political Documentary

项目摘要

This practice-based research aims to recapture history through the re-vision of Latin American women's political documentary from 1975 to 1990, and connect those films to the present through a practice-based approach. From the 1960s, filmmakers in different Latin American countries began using cinema as a political tool, which led to the emergence of a new politically and socially committed documentary tradition and the film movement known as the New Latin American Cinema. From the 1970s, an increasing number of women filmmakers also began making documentaries that fitted into, diverted from, and ultimately diversified the practices and aesthetics of this film movement. Yet their contributions to its redefinition continue to be overshadowed, and their legacy to women's (documentary) cinema largely overlooked. Working at the intersection between feminist film theory, documentary studies, and Latin American film studies, this research provides a new lens through which to revisit and rewrite the history of the Latin American documentary. My hypothesis is that women's documentary cinema in Latin America from 1975 to 1990 unfolded through three main categories and evolved into a corpus of work within the Latin American cinema. I will argue that women's documentary cinema emerged from the oppositional cinema, was shaped by feminist movements, and was redefined by transnational paradigms. Ultimately, these films raised questions about women's oppression and gender inequality that were discussed in society at large. The practical component of this research consists in making a short documentary that explores ideas about representation, and implements practices and aesthetics discussed in my thesis. The documentary is inspired by some of my case-studies, such as the work of Latin American women Third Cinema filmmakers Marta Rodriguez, Maria Barea, and the Cine-Mujer collectives of Mexico and Colombia, in relation to how collaborative processes can challenge conventional ways of representing and mediating female subjects in non-fiction films.

这项基于实践的研究旨在通过重新审视1975年至1990年的拉丁美洲妇女政治纪录片来重新捕捉历史，并通过基于实践的方法将这些电影与现在联系起来。从20世纪60年代开始，不同拉丁美洲国家的电影人开始将电影作为一种政治工具，这导致了一种新的政治和社会纪录片传统和被称为新拉丁美洲电影的电影运动的出现。从20世纪70年代开始，越来越多的女性电影人也开始制作纪录片，这些纪录片融入了这场电影运动的实践和美学，并最终使其多样化。然而，她们对电影重新定义的贡献仍然被掩盖，她们对女性（纪录片）电影的影响也被很大程度上忽视了。在女性主义电影理论、纪录片研究和拉丁美洲电影研究的交叉点上，本研究为重新审视和重写拉丁美洲纪录片的历史提供了一个新的视角。我的假设是，从1975年到1990年，拉丁美洲的女性纪录片电影通过三个主要类别展开，并演变成拉丁美洲电影中的一个作品语料库。我认为女性纪录片电影是从对立电影中出现的，受到女权主义运动的影响，并被跨国范式重新定义。最终，这些电影提出了关于女性受压迫和性别不平等的问题，这些问题在整个社会都被讨论过。本研究的实践部分包括制作一部简短的纪录片，探索关于表现的想法，并实施我在论文中讨论的实践和美学。这部纪录片的灵感来自于我的一些案例研究，比如拉丁美洲女性第三影院制片人玛尔塔·罗德里格斯（Marta Rodriguez）、玛丽亚·巴里亚（Maria Barea）以及墨西哥和哥伦比亚的Cine-Mujer集体的作品，这些案例研究的是协作过程如何挑战非虚构电影中表现和调解女性主题的传统方式。