Facilitating collective dramaturgy in dance and music collaborative improvisation from the perspective of Rhythm Tap practice

从节奏踢踏练习的角度促进舞蹈和音乐即兴创作中的集体戏剧创作

• 批准号: 2265842
• 金额: --
• 依托单位: De Montfort University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2265842
• 关键词: Facilitating; collective; dramaturgy; dance; music

This is the first practice research Ph.D. within the field of rhythm tap globally. This research aims to analyse creative practices within rhythm tap dance to generate new knowledge about improvisational dramaturgy in dance and music collaboration. This will make an original contribution to discourse and practice around dance dramaturgy and the field of Improvisation Studies. Academic research is needed to connect rhythm tap creative practice with wider theoretical frameworks and instigate critical reflection within professional practice and support wider understanding and acknowledgement within the industry and Academy. Published literature about Tap Dance focuses uponthe historical, technical and stylistic contribution of key individuals (Hill, 2000), (Siebert, 2015). Writing about practice is mostly autobiographical (Buffalino, 2004) or instructional (Duffy, 2017). This study will address this gap in literature through practice research from a performance perspective.

这是全球首个节奏敲击领域的实践研究博士。这项研究旨在分析节奏踢踏舞的创作实践，以产生关于即兴戏剧在舞蹈和音乐合作中的新知识。这将对舞剧和即兴研究领域的论述和实践做出原创性的贡献。需要进行学术研究，将节奏、自来水、创造性实践与更广泛的理论框架联系起来，在专业实践中激发批判性思考，并支持行业和学院内更广泛的理解和认可。出版的关于踢踏舞的文献侧重于关键个人的历史、技术和风格贡献(Hill，2000)，(Siebert，2015)。关于实践的写作大多是自传性的(Buffalino，2004)或指导性的(Duffy，2017)。本研究将从绩效的角度，通过实践研究来解决文献中的这一空白。