'He Who Journeys into Hell also Becomes Hell': Masculine Trauma and Satanic Panic in American Gothic Cinema, 1980-2000

“进入地狱的人也会成为地狱”：美国哥特式电影中的男性创伤和撒旦恐慌，1980-2000

• 批准号: 2266996
• 金额: --
• 依托单位: Manchester Metropolitan University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2266996
• 关键词: He; Who; Journeys; into; Hell

Through close-analyses of exemplary film case studies I will examine repeated motifs and tropes developed throughout the period, specifically concerned with defeated masculinity and the Faustian pact (as seen in Angel Heart [1987]; Hellraiser [1987]; The Devil's Advocate [1997]) as well as self-inflicted punishment and occult investigation as self-investigation (The Believers [1987]; Jacob's Ladder [1990]; In the Mouth of Madness [1994]). Furthermore, I shall assess these filmic texts' dialogue with real-life, controversial and largely debunked testimonies recounted in Satanic Ritual Abuse cases, the book Michelle Remembers (1980), and in other media such as Geraldo Rivera's television documentary, 'Devil Worship: Exposing Satan's Underground' (1988).

通过对典型电影案例研究的仔细分析，我将审视贯穿这一时期的重复主题和修辞，特别是与失败的男性气概和浮士德契约（如《天使之心》[1987]；《Hellraiser》[1987]；《魔鬼代言人》[1997]）以及自我惩罚和作为自我调查的神秘调查（《信徒》[1987]；《雅各的梯子》[1990]；《疯狂之口》[1994]）有关。此外，我将评估这些电影文本的对话与现实生活中，有争议的和很大程度上被揭穿的证词，在撒旦仪式虐待案件中，书米歇尔记得（1980），以及其他媒体，如杰拉尔多里维拉的电视纪录片，“魔鬼崇拜：揭露撒旦的地下”（1988）。

项目成果

Another man's memories: Masculine trauma and Satanic Panic in The Believers (1987) and Angel Heart (1987)

另一个男人的记忆：《信徒》（1987）和《天使之心》（1987）中的男性创伤和撒旦恐慌

• DOI: 10.1386/host_00054_1
• 发表时间: 2022
• 期刊: Horror Studies
• 影响因子: 0.2
• 作者: Gough C