Forming the Arthurian Idyll, 1688-1820

亚瑟王田园诗的形成，1688-1820 年

• 批准号: 2273638
• 金额: --
• 依托单位: Keele University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2019
• 资助国家: 英国
• 起止时间: 2019 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2273638
• 关键词: Forming; Arthurian; Idyll; 1688; 1820

This thesis will investigate literary engagements with the Arthurian legends in the 'long' eighteenth century. There is an extensive body of scholarship on the nineteenth-century 'revival' of Arthurianism, especially with respect to Tennyson and Swinburne's poetry, Pre-Raphaelite Art, and more populist cultural forms. By contrast, the eighteenth century remains neglected, meaning that scholars of medievalism lack understanding of ways in which Georgian appropriations of Arthur enanabled the Victorians to rework Arthur, but were also distinctive from those later reworkings, responding to cultural concerns such as the Glorious Revolution and the Act of Union. In particular, my research will show that Arthur was conscripted in various ways across poetry, fiction, drama, and visual works to intervene in debates about historiography, gender, class, and national identity.

本论文将探讨文学与亚瑟王传说在“漫长的”十八世纪。关于19世纪亚瑟王的“复兴”，有大量的学术研究，特别是关于丁尼生和斯温伯恩的诗歌，拉斐尔前派艺术和更多的民粹主义文化形式。相比之下，18世纪仍然被忽视，这意味着中世纪的学者缺乏对格鲁吉亚对亚瑟的占有如何使格鲁吉亚人能够重新创作亚瑟的理解，但也不同于后来的那些重新创作，回应了光荣革命和《联合法案》等文化问题。特别是，我的研究将表明，亚瑟被征召在诗歌，小说，戏剧和视觉作品的各种方式介入有关历史编纂，性别，阶级和民族认同的辩论。