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A poetry of resistance: the Santiago de Cuba carnival as transformative performance art and archive

A poetry of resistance: the Santiago de Cuba carnival as transformative performance art and archive
抵抗的诗歌:古巴圣地亚哥狂欢节作为变革性的表演艺术和档案
批准号:
2291257
负责人:
金额:
$0.0万
依托单位:
依托单位国家:
英国
项目类别:
Studentship
财政年份:
2019
资助国家:
英国
项目状态:
已结题
起止时间:
2019 至 --

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中文摘要
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英文摘要
This thesis will explore the Santiago de Cuba carnival as a 'moving poem' (Arnedo-Gomez, 2006; Irobi, 2007) made real through the gaze of those who are positioned as spectators and also of those who are involved in and responsible for the process of constructing the carnivalthrough their participation. I will examine the idea that by spectating and participating they are simultaneously building a space that is thecarnival. This is an interdisciplinary project using oral history, original poetry and autoethnography to explore space, memory and identity through some of the participants- spectators in relation to the Santiago de Cuba carnival. I aim to explore everyday familial and intergenerational relationships of some of those involved in all aspects of the carnival before, during and immediately after; how the carnival disrupts their everyday lives and routine and conversely how their everyday lives disrupt their preparations for and participation in carnival. This thesis will explore the Santiago de Cuba carnival as a 'moving poem' (Arnedo-Gomez, 2006; Irobi, 2007) made real through the gaze of those who are positioned as spectators and also of those who are involved in and responsible for the process of constructing the carnival through their participation. I will examine the idea that by spectating and participating they are simultaneously building a space that is the carnival. This is an interdisciplinary project using oral history, original poetry and autoethnography to explore space, memory and identity through some of the participants- spectators in relation to the Santiago de Cuba carnival. I aim to explore everyday familial and intergenerational relationships of some of those involved in all aspects of the carnival before, during and immediately after; how the carnival disrupts their everyday lives and routine and conversely how their everyday lives disrupt their preparations for and participation in carnival.
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