British Muslim experiences and engagement in Culture and Arts: the potential of 'religious literacy' in public programming, audience development and

英国穆斯林的文化和艺术经历和参与：“宗教素养”在公共节目、受众发展和

• 批准号: 2317248
• 金额: --
• 依托单位: Goldsmiths University of London
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2317248
• 关键词: British; Muslim; experiences; engagement; Culture

This AHRC funded doctorate, one of the first to consider contemporary faith and the way it is positioned by major public art and cultural institutions, aims to open the dialogue on the potential of 'religious literacy' in building new audiences and ways of programming in a major public cultural institution. It will question whether these institutions are consciously or unconsciously 'secular spaces' and who and what ideas and debates are excluded as a result. It will evaluate the role an institution such as Tate, can play in considering dialogues on engaging with contemporary faith communities, and what new approaches to artistic risk can be found in this exchange.This CDP will look at this through the perspective of British Muslim experience/s, by those engaging with Tate but also how Tate considers these experiences in its institutional framework of sculpting a public space that aims to lead on being 'artistically adventurous and culturally inclusive'. Religion and faith, regardless of position, is undeniable in its importance in the concept of many individuals and communities sense of identity, so it is striking that the dialogue, particularly academic dialogue, within arts and culture has neglected conversations on how contemporary faith communities can be considered by our major public institutions. I hope this research continues to create foundational dialogues on how our public cultural institutions can consider and connect with religion and faith communities and bring new possibilities to programming and artistic risk and what it means to be a public space for all.

这位AHRC资助了博士学位，该博士学位是最早考虑当代信仰的人之一，以及它是由主要的公共艺术和文化机构定位的方式，旨在在建立新的受众群体和在主要公共文化机构中建立新的受众和编程方式方面的潜在对话。它将质疑这些机构是有意识地或无意识地“世俗的空间”，结果是谁，哪些思想和辩论被排除在外。它将评估像泰特（Tate）这样的机构的作用，可以在考虑与当代信仰社区互动的对话中发挥作用，以及在这次交流中可以找到哪种新的艺术风险方法。该CDP将通过英国穆斯林体验的角度来看待这一点，通过与泰特（Tate）的参与者的参与，同时在其上涉及这些经验来实现这些经验，这是一场统一的企业，这是一场卑鄙的框架，这是一场公共场所的实现，这是一个卑鄙的框架。文化包容性'。宗教和信仰，无论立场如何，在许多个人和社区认同意识的概念中都不可否认，因此，在艺术和文化中的对话（尤其是学术对话）忽略了我们的主要公共机构如何将当代信仰社区视为当代信仰社区的对话。我希望这项研究继续为我们的公共文化机构如何考虑并与宗教和信仰社区建立基础对话，并为编程和艺术风险带来新的可能性以及成为所有人的公共空间的含义。