Blind Aesthetics: Ways of (Not) Seeing (Memory, Materiality, and the Plurality and Synaesthetics of the Senses)

盲目美学：（不）看的方式（记忆、物质性、感官的复数性和联觉性）

• 批准号: 2394985
• 金额: --
• 依托单位: Royal College of Art
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2394985
• 关键词: Blind; Aesthetics; Ways; Seeing; Memory

Contemporary visual bias obscures the existence and force of sight-independent visualisation and imaging. Working sculpturally in concrete, clay, latex and digital sound environments, my (blind) art practice dramatically shifts away from this visual bias by creating specific sensorial connections between memory, materiality and neural pluralities. It asks to what extent blindness can reveal a different approach to the visual, one that is no longer primarily attached to the haptic. This research extends the work of disability gain theorists (Kleege/Thompson) providing new ways of (not) seeing.

当代的视觉偏见掩盖了视觉独立的可视化和成像的存在和力量。在混凝土，粘土，乳胶和数字声音环境中进行雕塑工作，我的（盲人）艺术实践通过在记忆，物质和神经多元性之间建立特定的感官联系，极大地摆脱了这种视觉偏见。它询问失明在多大程度上可以揭示一种不同的视觉方法，一种不再主要与触觉有关的方法。这项研究扩展了残疾增益理论家（Kleege/Thompson）的工作，提供了（不）看的新方法。