Exploring homage in electroacoustic music: exposing the hidden histories and work of early women electronic composers in Europe (1940-75)

我的研究将调查电声音乐中的致敬概念，以此作为创作新作品、声音装置和表演的手段，以关注电子音乐中被遗忘和边缘化的女性形象。 1940-75 年间被视为创始时期，第一批电子音乐工作室和“学校”开始在欧洲出现，同时也出现了第一批具体音乐和电子音乐。从历史上看，只有男性电子音乐先驱的创造性作品才会在这个时间范围内出现。这里有必要关注这个选定时期的女性电子音乐作曲家，检查她们对该领域被忽视、遗忘或隐藏的贡献

My research will investigate the concept of homage in electroacoustic music as a means to createnew compositions, sound installations and performances to shine a spotlight upon forgotten andmarginalised female figures in electronic music. The time between 1940-75 is understood as thefounding period when the first studios and 'schools' of electronic music began to appear in Europealong with the first outputs of musique concrète and electronic music. Historically, only creative workfrom male electronic music pioneers appear documented within this timeframe. Here there is a needto attend to women composers of electronic music from this chosen time period, examining theiroverlooked, forgotten or hidden contributions to the field