Exploring homage in electroacoustic music: exposing the hidden histories and work of early women electronic composers in Europe (1940-75)

我的研究将探讨电声音乐中的致敬概念，作为一种手段，以展示新的作品，声音装置和表演，从而使电子音乐中被遗忘和边缘化的女性形象成为人们关注的焦点。1940年至1975年之间的时间被认为是第一个电子音乐工作室和“学校”开始出现在欧洲的创始时期，伴随着第一批具体音乐和电子音乐的产出。从历史上看，只有男性电子音乐先驱的创造性作品出现在这个时间范围内。在此，我们有必要关注这一时期的电子音乐女作曲家，审视她们对这一领域的被忽视、被遗忘或隐藏的贡献。

My research will investigate the concept of homage in electroacoustic music as a means to createnew compositions, sound installations and performances to shine a spotlight upon forgotten andmarginalised female figures in electronic music. The time between 1940-75 is understood as thefounding period when the first studios and 'schools' of electronic music began to appear in Europealong with the first outputs of musique concrète and electronic music. Historically, only creative workfrom male electronic music pioneers appear documented within this timeframe. Here there is a needto attend to women composers of electronic music from this chosen time period, examining theiroverlooked, forgotten or hidden contributions to the field