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Singularities in harmony: the rhyming hapax legomena in Dante's Commedia

和谐中的奇点：但丁喜剧中押韵的 hapax Legomena

基本信息

批准号：
2442964
负责人：
金额：
--
依托单位：
University of Cambridge
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2020
资助国家：
英国
起止时间：
2020 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2442964
关键词：
Singularities harmony rhyming hapax legomena

项目摘要

This research will articulate the relationship between hapax legomena and rhyme in Dante's Commedia. Many of thepoem's singular usages appear in their line's rhyme-position, but the significance of this trend has yet to be fullyunderstood. Dante's hapax legomena transmit unknowable and alien elements of the Commedia, and their embedmentin rhyme weaves these epistemological challenges into the poem's very spine. In my definition, a hapax is not a uniqueoccurrence in all literature, but a singular usage within a text which, with no other examples for comparison, requires aspecifically tailored, artisanal interpretative approach. My research will present a significant development as itdemonstrates how the hermeneutic demands placed upon a reader of the Commedia by its hapax legomena are inproductive tension with the linkages provoked by the poem's rhymes. The Commedia's rhymes make links throughsound not sense; they are a material phonic force which, with the text's hapax legomena, create a space of othernesswithin which readers must work to find alternative solutions to interpretative problems. My research will show howrhyming hapax legomena have significant repercussions for how readers construct intratextual analyses and how theymight utilise the spatial metaphors of verticality and horizontality when approaching the text. It will also demonstrate howthese words engage in theoretical debates over the place of the individual in a community in the poem.

这项研究将阐明但丁喜剧中的韵律和韵律之间的关系。这首诗的许多独特用法都出现在其诗行的韵位中，但这种趋势的意义尚未得到充分理解。但丁的《hapax Legomena》传递了《喜剧》中不可知的、外来的元素，它们嵌入韵律中，将这些认识论的挑战编织到了这首诗的主干中。在我的定义中，hapax并不是所有文学中的独特出现，而是文本中的单一用法，没有其他示例可供比较，需要专门定制的手工解释方法。我的研究将呈现出一个重大的进展，因为它证明了《喜歌》的《乐歌》对读者提出的解释学要求是如何与这首诗的韵律所引发的联系产生非生产性的张力的。《喜剧》的韵律通过声音而不是意义来建立联系；它们是一种物质的声音力量，与文本的hapax Legomena一起创造了一个他者空间，读者必须在其中努力寻找解释问题的替代解决方案。我的研究将表明押韵的 hapax Legomena 对读者如何构建文本内分析以及他们在阅读文本时如何利用垂直和水平的空间隐喻产生重大影响。它还将展示这些词语如何参与有关诗歌中个体在社区中的地位的理论辩论。