Applying an Electroacoustic Approach to the Soundtrack of Narrative Film

将电声方法应用于叙事电影的配乐

• 批准号: 2443475
• 金额: --
• 依托单位: De Montfort University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2443475
• 关键词: Applying; Electroacoustic; Approach; Soundtrack; Narrative

Electroacoustic music is a genre of composition that treats any recordable sound as potential musical material, thus offering a rich new prospect for exploring the continuum between diegetic and nondiegetic sound in narrative film. This project will expand upon these ideas by formulating a framework for how sound can operate simultaneously as music and sound design. Through composing illustrative soundtracks to films using this framework I will demonstrate the value of this approach to the field of narrative film. Contemporary activity in this field makes this project pertinent, with mainstream releases such as Chernobyl, Us, and Joker increasingly taking a nuanced approach to their treatment of sound. The proposed research will ensure that this progression is not without vital critical assessment of the scope and applications of these ideas. This combination of praxis and theory will deliver invaluable insight to a field in which the two are all-too-often distinct from one another.

电声音乐是一种将任何可记录的声音视为潜在音乐素材的作曲体裁，从而为探索叙事电影中有声音和无声音的连续体提供了丰富的新前景。这个项目将对这些想法进行扩展，制定一个框架，说明声音如何与音乐和声音设计同时运行。通过使用这个框架为电影创作插图配乐，我将展示这种方法在叙事电影领域的价值。这一领域的当代活动使这一项目具有相关性，主流发行版本，如切尔诺贝利、美国和小丑，越来越多地采取微妙的方法来处理他们的声音。拟议的研究将确保这一进展不会没有对这些想法的范围和应用进行至关重要的批判性评估。实践和理论的这种结合将为这两者往往截然不同的领域提供宝贵的洞察力。