Old Hispanic Notation and the Early Written Transmission of Chant: A Palaeographical Case Study of a Liber Misticus (British Library, Add. MS 30845)

古老的西班牙记谱和圣歌的早期书面传播：《Liber Misticus》的古文字学案例研究（大英图书馆，Add. MS 30845）

• 批准号: 2445305
• 金额: --
• 依托单位: University of Bristol
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2445305
• 关键词: Old; Hispanic; Notation; Early; Written

Much work has been done on the meaning of early unpitched Gregorian chant notation (neumes) and where each sign is used functionally, much of it building on Cardine's Semiologia Gregoriana (1968). However, very little research has been undertaken on the early medieval Iberian notation in which Old Hispanic chant was preserved in the 10th and 11th centuries. Furthermore, it is not possible to use later pitched versions of Old Hispanic chants to inform our interpretations of Iberian notation, since only twenty-four Old Hispanic chants were preserved using pitch. There are still fundamental questions to be answered regarding the meaning of individual neumes at a basic level: the number of notes contained in a neume and whether they rise or fall. In my PhD, I will examine how individual neume shapes are used in recurring melodic formulas to shed light on the use of unpitched notation and the meaning of specific signs in the early written transmission of chant.

许多工作已经做了早期无音高格里高利圣咏记谱法（neumes）的意义和每个符号的功能，其中大部分是建立在卡丁的Semiologia Gregoriana（1968年）。然而，对中世纪早期伊比利亚记谱法的研究很少，其中古西班牙圣歌在10世纪和11世纪被保存下来。此外，我们不可能用后来的古西班牙圣歌的音高版本来解释伊比利亚记谱法，因为只有24首古西班牙圣歌用音高保存下来。关于单个纽姆的基本意义，仍然有一些基本问题需要回答：一个纽姆中包含的音符数量以及它们是上升还是下降。在我的博士学位，我将研究如何使用个别纽姆形状在反复出现的旋律公式，以阐明使用无音高记谱法和特定符号的意义，在早期书面传输的圣歌。