Choreography as Curation as Hosting: Relational complexities and modes of production in an expanded field of practice

编舞作为策展作为主持：扩大实践领域中的关系复杂性和生产模式

• 批准号: 2454910
• 金额: --
• 依托单位: University of Roehampton
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2454910
• 关键词: Choreography; Curation; Hosting; Relational; complexities

This practice-as-research (PaR) PhD will investigate the possibilities and risks of choreography as a curatorial-hosting practice. It critically responds to a recent wave of projects by UK choreographers that commission and incorporate works authored by other artists (e.g. Siobhan Davies' exhibition 'material / rearranged / to / be', 2017). I use the concept of 'hosting' to foreground the relational complexities and modes of production unique to these choreographic-curatorial works. By collaborating with the internationally acclaimed dance house Sadler's Wells Theatre (SWT), I will directly explore how these emergent practices might circumvent and transform institutional power relations and curatorial processes. This PaR process will develop an extensive studio practice that directly experiments with the materials and processes of choreographic-curatorial hosting. It will develop solo-authored artworks, and host practice by invited collaborators, through 'collective study' (Harney & Moten) and an 'ethics of incommensurability' (Tuck & Yang). Taking place in SWT, University of Roehampton and extra-institutional contexts, this project will address the potentials of hosting to challenge and innovate production models across the diverse economies of UK dance, and their respective legacies of systemic exclusion and colonial violence (Bhambra).This PhD will develop this interdisciplinary research framework of choreographic-curatorial hosting within the emerging field of 'expanded choreography' (MACBA, 2012), where choreography takes on a generic capacity for analysis and production alongside and beyond dance. It will introduce to this field - and elaborate choreography's potential to revitalize - key debates from Institutional Critique (Buren, Wilson) on artist-curator-institution relations. The project will draw from continental philosophy (Derrida) and queer theory (Halbestram) to contextualise notions of 'hospitality', 'hosting' and the 'feral'; critical theory (Harney & Moten) and queer writing (Mitchell) on 'dispossession' and 'fugitivity'; and feminist (Freeman) and sociological research (Bourdieu) to address the power relations of peer-organising, within the unique economies of experimental art.

这一实践即研究(PAR)博士将调查编舞作为策展主办实践的可能性和风险。它批判性地回应了英国编舞最近的一波项目，这些项目委托并纳入了其他艺术家的作品(例如，西沃恩·戴维斯的展览《材料/重新安排/将/成为》，2017)。我使用“主办”的概念来突出这些编排-策展作品所独有的关系复杂性和生产模式。通过与享誉国际的舞蹈团萨德勒·威尔斯剧院(Sadler‘s Wells Theatre，SWT)合作，我将直接探索这些新兴实践如何规避和改变机构权力关系和策展程序。这一PAR过程将发展一个广泛的工作室实践，直接实验编排-策展主持的材料和过程。它将通过“集体学习”(Harney&Moten)和“不可通约性伦理”(Tuck&Yang)，开发个人创作的艺术品，并由受邀的合作者主持实践。这个项目在SWT，Roehampton大学和机构外的背景下进行，这个项目将探讨主办的潜力，以挑战和创新英国舞蹈不同经济体的生产模式，以及它们各自的体制排斥和殖民暴力的遗产(Bhambra)。这个博士将在新兴的“扩展编舞”(MACBA，2012)领域内发展这个编排-策展主持的跨学科研究框架，在这个领域，编舞除了舞蹈之外，还具有一般的分析和制作能力。它将介绍这一领域-以及精心编排的潜力重振-从机构批评(布伦，威尔逊)关于艺术家-策展人-机构关系的关键辩论。该项目将借鉴大陆哲学(德里达)和酷儿理论(哈贝斯特拉姆)，以背景概念的‘好客’，‘主人’和‘野性’；批评理论(哈尼和莫滕)和酷儿写作(米切尔)的‘剥夺’和‘逃亡’；女权主义者(弗里曼)和社会学研究(布迪厄)，以解决同行组织的权力关系，在独特的经济实验艺术。