Wo/Man Made Wor(l)d: Textual Transmission and Translation in the Censorship of Medieval Female Authorial Voices

Wo/Man Made W(l)d：中世纪女性作者声音审查中的文本传输和翻译

• 批准号: 2474328
• 金额: --
• 依托单位: Durham University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2020
• 资助国家: 英国
• 起止时间: 2020 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2474328
• 关键词: Wo; Man; Made; Wor; Textual

Reading for female voices in medieval literature is intrinsically paradoxical: they have often been mediated by men. How may we determine whether the received texts are representative of authorial versions? Exploring the process of textual reception from the twelfth to the fifteenth centuries, I will compare twentieth century women writers with their Continental counterparts, examining how the interventon of male editorial alters the reception of their works and whether this phenomenon differs across polities. By investigating the complex creation of author-character identities through textual re-presentation, I will highlight the impact of gendered textual interventions in medieval culture and its reception.

阅读中世纪文学中的女性声音本质上是矛盾的：它们往往是由男性中介的。我们如何确定收到的文本是否代表作者的版本？在探讨12世纪到15世纪文本接受的过程中，我将比较20世纪的女作家和她们的欧洲大陆同行，考察男性编辑的介入如何改变她们作品的接受，以及这种现象是否在不同的政治中有所不同。通过研究作者角色身份的复杂创造，通过文本重新呈现，我将突出性别文本干预在中世纪文化及其接收的影响。