Wo/Man Made Wor(l)d: Textual Transmission and Translation in the Censorship of Medieval Female Authorial Voices

阅读中世纪文学中的女性声音本质上是自相矛盾的：它们往往是由男性充当中间人的。我们如何确定所收到的文本是否具有作者版本的代表性？探索从12世纪到15世纪的文本接受过程，我将比较20世纪和欧洲大陆的女作家，考察男性社论的介入如何改变她们作品的接受，以及这种现象是否在不同的政治领域有所不同。通过研究通过文本重新呈现作者-人物身份的复杂创造，我将强调性别文本干预在中世纪文化及其接受中的影响。

Reading for female voices in medieval literature is intrinsically paradoxical: they have often been mediated by men. How may we determine whether the received texts are representative of authorial versions? Exploring the process of textual reception from the twelfth to the fifteenth centuries, I will compare twentieth century women writers with their Continental counterparts, examining how the interventon of male editorial alters the reception of their works and whether this phenomenon differs across polities. By investigating the complex creation of author-character identities through textual re-presentation, I will highlight the impact of gendered textual interventions in medieval culture and its reception.