Giving New Voices to Old Music: Baroque Vocal music (Pietro Torri's Sacred Choral Works at the Court of Elector Maximillian II Emanuel)

为古老的音乐赋予新的声音：巴洛克声乐（彼得罗·托里在选帝侯马克西米利安二世伊曼纽尔宫廷创作的神圣合唱作品）

• 批准号: 2590189
• 金额: --
• 依托单位: Birmingham City University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2021
• 资助国家: 英国
• 起止时间: 2021 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2590189
• 关键词: Giving; New; Voices; Old; Music

This study will examine sacred choral works by Pietro Torri (c. 1650-1737) in order to assess the importance of this hitherto neglected composer and his contribution to choral music at the court of Elector Maximillian II Emanuel in Munich, and more generally to the period. Torri joined Max Emanuel's court in 1689 and was amongst the Elector's most prized musicians, following him to Brussels (1692) and back to Munich (1715) when he was appointed Hofkapelldirektor and held significant influence over all aspects of court music. The court enjoyed a significant reputation as one of the most brilliant musical centres in Europe, and the Elector spared no expense in gathering some of most skilled and highly- regarded musicians of the day. This project will create critical editions of a selected number of Torri's psalm and mass settings, alongside a thesis examining his contribution to devotional music at the Munich court, his broader contribution to musical life, and his impact on his contemporaries and successors both in Munich and beyond.I have selected five works, which suit the purposes of Ex Cathedra as a large choir and orchestra. Two masses have particularly grand orchestral scoring, with one including four trumpets and timpani, providing the opportunity for a particularly attractive modern reconstruction (performance at court would have been limited to liturgical feast days and holidays). All scores are in manuscript (some with additional separate parts) and are for SATB choir unless otherwise stated with orchestral/string (and continuo) accompaniment.Confitebor - (solo soprano/SATB) located in Strasbourg, Berlin (digitised) and Dresden (parts - digitised). Paratum cor meum Deus - (SSATB) in Berlin (digitised) and London.Deus in adjutorium - (Double SATB choir) in London Mass in C major -in Ottobeuren (parts and score) Mass in D major -in Brussells (parts and score).

这项研究将研究Pietro Torri（约1650- 1737年）的神圣合唱作品，以评估迄今为止忽略的作曲家的重要性及其对合唱音乐在慕尼黑的选举人Maximillian II Emanuel法院的贡献，更普遍地到这一时期。托里（Torri）于1689年加入马克斯·伊曼纽尔（Max Emanuel）的法庭，成为选举人最珍贵的音乐家之一，跟随他到布鲁塞尔（1692年），并回到慕尼黑（1715年）（1715年），当时他被任命为Hofkapelldirektor，并对法院音乐的各个方面都具有重大影响。作为欧洲最杰出的音乐中心之一，法院享有很高的声誉，选举人在收集当今最熟练和备受推崇的音乐家中没有任何费用。该项目将创建一定数量的托里（Torri）的诗篇和大众环境的关键版本，以及一篇论文，研究了他在慕尼黑法院对虔诚音乐的贡献，他对音乐生活的更广泛贡献以及他对慕尼黑及其后继承者的影响。两个群众特别是管弦乐队的得分，其中一个包括四个小号和蒂姆帕尼，这为现代重建特别有吸引力的机会提供了机会（法庭上的表现仅限于礼拜式的盛宴时代和假期）。所有分数均在手稿中（有些带有其他单独的部分），除非有管弦乐/字符串（和Continuo）cancer.confitebor-（Solo Soperano/satb）在柏林柏林（数字化）和Dresden（Dressen -digiticatization）。柏林（数字化）和伦敦的Paratum cor meum deus-（SSATB）。