Ethical Authorship: Decolonising the crew in British documentary practice, 2017-2020.

这次调查将研究英国广播公司海外拍摄的纪录片中的工作人员组成。在此过程中，它将考虑其他人--当地电影制作专业人士--的权利是否被置于“中心舞台”（Chiu 2015：45）。本文为电影产业研究提供了一个新的方向，并将通过民族志参与式电影制作，纪录片伦理和绿色电影制作分析提供信息。通过对2017年至2020年期间BBC事实纪录片中的纪录片摄制组进行实证研究，其中大部分拍摄发生在英国境外，并将其与参与者的定性见解进行三角分析，调查将探讨船员编制的共同点，融入的障碍和机会，同时鼓励业界通过参与进行自我反思。

This enquiry will examine crew composition in overseas-shot BBC documentaries. In doing so, it will consider whether the rights of the other - local filmmaking professionals - are being placed 'centre stage' (Chiu 2015: 45). The thesis presents a new direction for screen industry studies and will be informed by ethnographic participatory filmmaking, documentary ethics, and green-filmmaking analyses.By employing an empirical study of documentary crews in BBC factual documentaries commissioned between 2017-2020 inclusive, in which the majority of the shoot occurred outside the UK and triangulating this with qualitative insight from participants, the enquiry will explore commonalities to crew setup, barriers to and opportunities of inclusion, while encouraging industry self-reflection through participation.