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Transcultural Perspectives on Republican Shanghai: A Comparative Study of Chinese and European Literary Manifestations

民国上海的跨文化视角：中欧文学表现的比较研究

基本信息

批准号：
2749733
负责人：
金额：
--
依托单位：
University of Warwick
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2022
资助国家：
英国
起止时间：
2022 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2749733
关键词：
Transcultural Perspectives Republican Shanghai Comparative

项目摘要

My project will investigate the phenomenon of cultural intermingling in Republican-era Shanghaireflected in literary translation and creation of Chinese and European authors. I consider modernShanghai as a 'contact zone' (Mary Louise Pratt, 1991) where local and foreign writers (e.g. ZhangRuogu, Zhou Shoujuan, Tian Han, Mu Shiying, George Soulié de Morant, André Malraux and Emily Hahn)act as transcultural agents, an approach that has rarely been adopted by academics. Previous studies byLeo Ou-Fan Lee and Zhang Yingjing analyse how modern Shanghai is represented in Chinese literatureand culture. However, few of these are based on sources external to China; exoticised representations ofShanghai by local Chinese authors are still neglected in the literature. Although studies by Peng Hsiaoyen and Chen Shuo-win approach the transcultural phenomena in Republican Shanghai, they are mostlylimited to the Chinese authors' criticism and imitation of French literature, without considering theirsubjective sensibilities as expressed through literary creations.My project seeks to answer two principal research questions: how is the phenomenon of transculturalismpresented in Chinese and European writers' literary works? What is the role of translation in producingculturally hybrid works? My thesis is that investigating cultural hybridity in Republican Shanghai asmanifested in literary translation and creation by Chinese and European authors is key to overcoming thenotion of cultures as 'sealed boxes' (Giffard, 2016), showing how similar human experiences can be andgaining a more nuanced understanding of Republican Shanghai from authors with different culturalbackgrounds

我的项目将考察汉上海文化交融的现象，这一现象在中国和欧洲作家的文学翻译和创作中有所反映。我认为现代上海是一个“接触区”（玛丽路易丝·普拉特，1991），在这里，本地和外国作家（如章若谷、周寿娟、田汉、穆时英、乔治·苏利埃·德·莫兰特、安德烈·马尔罗和艾米丽·哈恩）充当跨文化代理人，这种方法很少被学术界采用。李欧梵和张颖菁的研究分析了现代上海在中国文学和文化中的代表性。然而，这些都是基于中国以外的来源，异国情调的代表性ofShanghai由当地的中国作家仍然被忽视的文献。尽管彭小燕和陈硕文的研究对民国时期上海的跨文化现象进行了探讨，但他们大多局限于中国作家对法国文学的批评和模仿，而没有考虑到他们通过文学创作表达的主观情感。翻译在产生文化杂合作品中的作用是什么？我的论文是，研究中国和欧洲作家在文学翻译和创作中表现出的民国上海文化杂合性，是克服文化作为“密封盒子”的概念（Giffard，2016）的关键，展示了人类经历的相似性，并从不同文化背景的作者那里获得了对民国上海更细致的理解