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The Post-Colonial and Post-Industrial Condition in French Literature since 2007

2007年以来法国文学的后殖民和后工业状况

基本信息

批准号：
2749743
负责人：
金额：
--
依托单位：
University of Warwick
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2022
资助国家：
英国
起止时间：
2022 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2749743
关键词：
Post Colonial Industrial Condition French

项目摘要

My research will focus on recent French literature and address these questions: how is the working classdefined in post-colonial and -industrial France?; how is this translated in literature?; how does this relateto republican principles? My contention would be that those who have grown up in this society have nooption but to transcend traditional categorisations of class and ethnic identity, and that this has been thecatalyst for a distinctively assertive, radical and sometimes antagonistic literature. At a moment whenthe volatile relationship between communities of immigrant origin and the dominant culture is in thebalance, and when a divisive figure such as Eric Zemmour can emerge as presidential candidate,evidence would suggest that recent novelists - predominantly of immigrant origin but unambiguouslyFrench - have a contemporary vision for liberté, égalité, fraternité.I would anticipate opening with a discussion of the circumstances which provoked the publication in 2007of 'Qui fait la France?' by Les Indigènes de la République, a multicultural group of young, proletarianwriters, advocating a committed literature which gives voice to those hitherto marginalised, both insociety and particularly in the literary world. This can be seen in contrast to commentators as diverse asMichel Houellebecq or Emmanuel Todd, ostensibly 'establishment' figures whose work is characterised bycynicism towards republican values.

我的研究将集中于最近的法国文学并解决这些问题：在后殖民和工业化的法国，工人阶级是如何定义的？这是如何翻译成文学的？这与共和原则有何关系？我的观点是，那些在这个社会长大的人别无选择，只能超越阶级和种族身份的传统分类，而这正是一种独特自信、激进、有时甚至是敌对文学的催化剂。当移民群体与主流文化之间的不稳定关系处于平衡状态，当像埃里克·泽穆尔这样的分裂人物能够成为总统候选人时，有证据表明，最近的小说家——主要是移民出身，但毫无疑问是法国人——对自由、平等、博爱有着当代的愿景。促使 2007 年出版了《Qui fait la France?》由年轻无产阶级作家组成的多元文化团体“共和国原住民”（Les Indigènes de la République）倡导致力于文学，为迄今为止被边缘化的人们发声，无论是在社会上，还是在文学界。这可以与米歇尔·维勒贝克（Michel Houellebecq）或伊曼纽尔·托德（Emmanuel Todd）等形形色色的评论家形成鲜明对比，这些评论家表面上是“建制派”人物，其作品的特点是对共和价值观的愤世嫉俗。