Composing with Care: A Reflexive Approach to Composing with Oral Histories

我建议的研究是一个以实践为基础的，跨学科的方式，其中迁移的口述历史可以用来在电声成分的积极影响的探索。我将与文化和艺术机构合作，利用档案录音和第一手访谈，围绕移民主题创作新的声音作品。在这个过程中，我将努力发展一个反射性的组成praxis;一个道德的方法来收集和组成与口述历史的migration. ResearchsBy解决以下问题，在参考我自己的创作实践，我希望开发我的中心研究问题的答案：电声作曲家如何工作与口述历史的移民的方式，既情感和道德负责？1.收集：在收集口述移民历史时，有哪些相关的伦理考虑？这些考虑对实践有什么影响？与记录面对面的采访相比，使用档案材料时，这些道德考虑是否有所不同？2.写作：在撰写口述移民历史时，有哪些相关的伦理考虑？电声作曲技巧和技术如何支持而不是扭曲证词叙述？3.表演和接受：以口述移民历史为特色的作品如何使移民和更广泛的社区受益？作品呈现的形式如何影响参与和接受？

My proposed research is a practice-based, interdisciplinary exploration of the ways in which oral histories of migration can be used to positive effect in electroacoustic composition. In partnership with cultural and artistic institutions, I will use both archival recordings and first-hand interviews to create new sound works around the theme of migration. In the process, I will work to develop a reflexive compositional praxis; an ethical approach to collecting and composing with oral histories of migration.Research QuestionsBy addressing the following questions in reference to my own creative practice, I hope to develop answers to my central research question: how can electroacoustic composers work with oral histories of migration in ways that are both affective and ethically responsible?1. Collection: What are the relevant ethical considerations when collecting oral histories of migration? What implications do these considerations have for practice? Do these ethical considerations differ when working with material from the archives, as opposed to recording face-to-face interviews?2. Composition: What are the relevant ethical considerations when composing with oral histories of migration? How can electroacoustic compositional techniques and technologies support, rather than distort, testimonial narratives? 3. Performance and Reception: How can compositions featuring oral histories of migration benefit both migrants and the broader community? How does the format in which the works are presented affect engagement and reception?