Transitions and thresholds in the work of Maurice Sceve

莫里斯·塞维作品中的转变和阈值

• 批准号: 2877045
• 金额: --
• 依托单位: University of Oxford
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2877045
• 关键词: Transitions; thresholds; work; Maurice; Sceve

My research will explore transitions and thresholds in the work of sixteenth-century Lyonnais poet Maurice Scève. Existing scholarship (notably seminal work by Hans Staub, 1967) has advanced the idea that a dynamic of movement underpins Scève's poetry, a movement which is always carried through to completion (1967: 35-36). I argue that transitional or 'threshold' points within the scope of such wider teleological movements may act as fruitful portals into Scève's poetics. I will examine how, by depicting evolving or fluctuating states of being in processes such as waking, remembering, and learning, Scève engages with sixteenth-century conceptions of cognitive acts, with humanist ideas concerning the transmission and reception of knowledge, and with curiosity surrounding sleep and oneiric experience. The ancient art of dream interpretation and epistemological theories, such as those of Italian astronomer and self-professed dream-interpreter Girolamo Cardano (1501-1576), were in vogue in sixteenth-century France. My research will ask, for instance, how representations of the passage into and out of sleep in Délie (1544), Saulsaye (1547), and the Microcosme (1562), inform our reading of the epistemological and ethical stakes of these texts. While attending to these thematic thresholds, my study will draw on Gérard Genette's (1987) conception of the narratological threshold established by paratexts - namely the sonnets and devises that bookend Scève's works. I adopt a hybrid methodological approach, drawing together narratological theory (Genette) and socio-cultural ideas, as I consider the thematic, conceptual, and structural thresholds that inflect our experience of reading Scève. Following Michèle Clément's efforts to rehabilitate Scève's lesser-known works (Microcosme, Arion, Saulsaye), my project also gives space to a wider scevian corpus, too often restricted to Délie.

我的研究将探索16世纪Lyonnais诗人MauriceScève的工作中的过渡和阈值。现有的科学（尤其是汉斯·斯塔布（Hans Staub），1967年的半劳动）提出了这样一个想法，即动态运动是斯卡维夫（Scève）的诗歌的基础，这一诗歌始终贯穿于完成（1967：35-36）。作为Scève的诗学的富有成果的门户。我将通过描绘出在唤醒，记忆和学习等过程中发展或波动的状态来研究，Scève与16世纪的认知行为概念相交，并具有关于知识传播和接受知识的思想，以及围绕睡眠和单身体验的好奇心和好奇心。梦想解释和认识论理论的古老艺术，例如意大利天文学家和自称为梦境的理论吉罗拉莫·卡达诺（Girolamo Cardano）（1501-1576），在16世纪的法国中也处于Vogue。我的研究将询问，例如，在Délie（1544），Saulsaye（1547）和Microcosme（1562）中，通过入睡和入睡的表现如何告知我们阅读这些文本的认识论和道德风险。在遵循这些主题阈值时，我的研究将借鉴GérardGenette（1987）的概念，即Paratexts建立的叙事学阈值 - 即十四行诗并设计了BookendScève的作品。我采用了一种混合方法论方法，将叙事理论（基因）和社会文化思想融合在一起，因为我考虑了影响我们阅读Scève经验的质量，概念和结构阈值。在努力恢复Scève鲜为人知的作品（Microsme，Arion，Saulsaye）之后，我的项目也为广泛的Scevian语料库提供了空间，常常被限制在Délie上。