Transitions and thresholds in the work of Maurice Sceve

莫里斯·塞维作品中的转变和阈值

• 批准号: 2877045
• 金额: --
• 依托单位: University of Oxford
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2877045
• 关键词: Transitions; thresholds; work; Maurice; Sceve

My research will explore transitions and thresholds in the work of sixteenth-century Lyonnais poet Maurice Scève. Existing scholarship (notably seminal work by Hans Staub, 1967) has advanced the idea that a dynamic of movement underpins Scève's poetry, a movement which is always carried through to completion (1967: 35-36). I argue that transitional or 'threshold' points within the scope of such wider teleological movements may act as fruitful portals into Scève's poetics. I will examine how, by depicting evolving or fluctuating states of being in processes such as waking, remembering, and learning, Scève engages with sixteenth-century conceptions of cognitive acts, with humanist ideas concerning the transmission and reception of knowledge, and with curiosity surrounding sleep and oneiric experience. The ancient art of dream interpretation and epistemological theories, such as those of Italian astronomer and self-professed dream-interpreter Girolamo Cardano (1501-1576), were in vogue in sixteenth-century France. My research will ask, for instance, how representations of the passage into and out of sleep in Délie (1544), Saulsaye (1547), and the Microcosme (1562), inform our reading of the epistemological and ethical stakes of these texts. While attending to these thematic thresholds, my study will draw on Gérard Genette's (1987) conception of the narratological threshold established by paratexts - namely the sonnets and devises that bookend Scève's works. I adopt a hybrid methodological approach, drawing together narratological theory (Genette) and socio-cultural ideas, as I consider the thematic, conceptual, and structural thresholds that inflect our experience of reading Scève. Following Michèle Clément's efforts to rehabilitate Scève's lesser-known works (Microcosme, Arion, Saulsaye), my project also gives space to a wider scevian corpus, too often restricted to Délie.

我的研究将探讨16世纪里昂诗人莫里斯·谢夫的作品中的过渡和阈值。现有的奖学金（特别是开创性的工作汉斯施托布，1967年）已经提出了这样的想法，即动态的运动支撑着谢夫的诗歌，一个运动，这是始终进行到完成（1967年：35-36）。我认为，在这种更广泛的目的论运动的范围内的过渡或“阈值”点可能会作为富有成效的门户网站到谢夫的诗学。我将考察，通过描绘在清醒、记忆和学习等过程中存在的进化或波动状态，谢夫是如何与16世纪的认知行为概念、与关于知识的传递和接受的人文主义思想以及与围绕睡眠和梦的体验的好奇心相结合的。古老的解梦艺术和认识论理论，如意大利天文学家、自称解梦者的吉罗拉莫·卡尔达诺（Girolamo Cardano，1501-1576）的理论，在16世纪的法国风靡一时。例如，我的研究会问，《代列》（1544）、《索尔赛》（1547）和《微观世界》（1562）中关于进入睡眠和离开睡眠的描述，是如何告知我们阅读这些文本的认识论和伦理学意义的。在关注这些主题门槛的同时，我的研究将借鉴热拉尔·热内特（1987）关于由副文本（即作为谢夫作品结尾的十四行诗和设计）建立的叙事学门槛的概念。我采用了一种混合的方法论，将叙事学理论（Genette）和社会文化思想结合在一起，因为我考虑了影响我们阅读场景体验的主题、概念和结构门槛。继Michèle Clément努力修复Scève鲜为人知的作品（微观世界，阿里翁，Saulsaye）之后，我的项目也为更广泛的scevian语料库提供了空间，这些语料库通常仅限于Délie。