'Live Dreaming': Exploring the reorientation of neurodivergent bodies and selves via musical performance.
“现场梦想”:通过音乐表演探索神经分歧的身体和自我的重新定位。
基本信息
- 批准号:2878899
- 负责人:
- 金额:--
- 依托单位:
- 依托单位国家:英国
- 项目类别:Studentship
- 财政年份:2023
- 资助国家:英国
- 起止时间:2023 至 无数据
- 项目状态:未结题
- 来源:
- 关键词:
项目摘要
This proposal focuses on a performance and practice-based research methodology of 'Live Dreaming', building on the work of Schulze (2018), Wu (2021) and Bude (2022) to question the potential and process of dreaming as a kind of performance in consciousness, and performance as a type of physical 'dream'(Serres, 2008).In 2019, Arts Council England funded me to research listening as whole-body phenomenon, hypothesising that dreaming and consciousness are an inextricable part of embodied listening and music-making. My research findings culminated in developing MELTA, an interactive performance fusing experimental audio-visual composition with sculptures and wearable sensors. This performance methodology explored the 'performance dream' through my perceptions of sound, synaesthesia, hyperfocus and sensory overload. My proposed practice-based research will build upon previous work and communicate my lived experience as a neurodivergent woman, developing a body of creative work that engages with embodied listening, practical experiments, theoretical literature and qualitative research.My principal research question is 'How can 'Live Dreaming' provide a practical tool for neurodivergent and marginalised bodies to explore identities and orientation through musical performance?'I will examine the potential for Live Dreaming as a generative source of power for neurodivergent selves and bodies to navigate alienating environments. I will use a practice-based approach to create a practical toolkit for neurodivergent and marginalised bodies to reorientate and communicate themselves through musical performance. Research activity will include individual and group action Deep Listening sessions (Oliveros, Ione 2005) with neurodivergent performers. I will also create a series of thematic exploratory public performances in collaboration with RBC musicians and performers using movement, voice and listening as the basis for scored works. These will investigate haptic memory and sensory orientation as parallels between dreaming and performance.A sub research strand will explore data, software, and materials as a means of body augmentation and mechanism for autonomy and survival for marginalised people (Haraway, 2016, Marshall, 2016 Nijs 2017 ). I will explore the 'vital materiality' of materials in performance (Cox, 2006, Bennett, 2010) insofar as they might enable neurodivergent bodies to navigate and communicate their experiences. Outcomes of this work will be manifested in a collection of scored pieces with written commentary. I will fabricate wearable instruments in collaboration with Integra Lab and STEAMhouse at BCU to make music with the body, using human and environmental data. Outcomes will be tested with the RBC community and documented in performances and workshops. This research will contribute to cross-disciplinary literature enquiry into inclusive music, technology, movement, and neuroscience. This will positively impact uponneurodivergent and marginalised musicians and provide a critical entry point into live music-making for performers from all backgrounds. Crucially, it will create publicly accessible tools for practice and composition and will contribute to music sector dialogue and awareness around neurodivergence as a factor affecting access and experiences of music-making. The work has potential to increase the visibility of ground-breaking practice by female musicians from non-traditional musical backgrounds and encourage women in academic and artistic communities to further their own works.
这项提案侧重于以表演和实践为基础的研究方法论,以舒尔茨(2018)、吴(2021)和布德(2022)的工作为基础,质疑做梦作为一种意识表演的潜力和过程,以及作为一种物理‘梦’的表演(Serres,2008)。2019年,英国艺术委员会资助我研究作为全身现象的倾听,假设做梦和意识是具体化的倾听和音乐制作中不可分割的一部分。我的研究成果最终发展到了Melta,这是一种将实验性视听作品与雕塑和可穿戴传感器融合在一起的互动表演。这种表演方法论通过我对声音、通感、超聚焦和感官过载的感知来探索“表演梦”。我提出的基于实践的研究将建立在前人工作的基础上,并交流我作为神经发散型女性的生活经验,开发一系列创造性的工作,涉及具体的倾听、实践实验、理论文献和定性研究。我的主要研究问题是‘现场做梦’如何为神经发散型和边缘化的身体提供一个实用工具,通过音乐表演来探索身份和取向?我将研究现场做梦作为神经分歧型自我和身体在疏离环境中导航的生成动力来源的潜力。我将使用一种以实践为基础的方法来创建一个实用的工具包,供神经分化和边缘化的身体通过音乐表演重新定位和交流。研究活动将包括与神经不同的表演者进行的个人和集体行动深度倾听会议(Oliveros,Ione 2005)。我还将与RBC音乐家和表演者合作,利用动作、声音和倾听作为评分作品的基础,创作一系列主题探索性公开表演。这些研究将研究触觉记忆和感觉定向在做梦和表演之间的相似之处。一个子研究链将探索数据、软件和材料作为身体增强的一种手段,以及被边缘化的人的自主和生存机制(Haraway,2016,Matt,2016 Nijs 2017)。我将探讨材料在表演中的“至关重要的实质性”(COX,2006,Bennett,2010),因为它们可能使神经分歧的身体能够导航和交流他们的经验。这项工作的结果将体现在一组带有书面评论的评分作品中。我将与BCU的Integra Lab和Steamhouse合作制造可穿戴乐器,利用人体和环境数据制作身体音乐。结果将与RBC社区一起测试,并在表演和研讨会中记录下来。这项研究将有助于对包容性音乐、技术、运动和神经科学的跨学科文献查询。这将对神经分化和边缘化的音乐家产生积极影响,并为来自各种背景的表演者提供进入现场音乐制作的关键切入点。至关重要的是,它将为练习和作曲创造可供公众使用的工具,并将促进音乐部门的对话和对神经分歧的认识,神经分歧是影响获得和体验音乐制作的一个因素。这项工作有可能提高来自非传统音乐背景的女性音乐家开创性实践的能见度,并鼓励学术界和艺术界的女性进一步发展自己的作品。
项目成果
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其他文献
吉治仁志 他: "トランスジェニックマウスによるTIMP-1の線維化促進機序"最新医学. 55. 1781-1787 (2000)
Hitoshi Yoshiji 等:“转基因小鼠中 TIMP-1 的促纤维化机制”现代医学 55. 1781-1787 (2000)。
- DOI:
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LiDAR Implementations for Autonomous Vehicle Applications
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2021 - 期刊:
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吉治仁志 他: "イラスト医学&サイエンスシリーズ血管の分子医学"羊土社(渋谷正史編). 125 (2000)
Hitoshi Yoshiji 等人:“血管医学与科学系列分子医学图解”Yodosha(涉谷正志编辑)125(2000)。
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Effect of manidipine hydrochloride,a calcium antagonist,on isoproterenol-induced left ventricular hypertrophy: "Yoshiyama,M.,Takeuchi,K.,Kim,S.,Hanatani,A.,Omura,T.,Toda,I.,Akioka,K.,Teragaki,M.,Iwao,H.and Yoshikawa,J." Jpn Circ J. 62(1). 47-52 (1998)
钙拮抗剂盐酸马尼地平对异丙肾上腺素引起的左心室肥厚的影响:“Yoshiyama,M.,Takeuchi,K.,Kim,S.,Hanatani,A.,Omura,T.,Toda,I.,Akioka,
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