Navigating Public Space in Iranian Cinema: Flânerie, Urbanophobia, and Gender.

本论文将探讨伊朗电影中的流浪者角色，以了解空间政治-性别，阶级，传统和现代性-如何被代表，协商，抵制，并投射到伊朗社会世界和超越。随着伊朗妇女走上街头抗议强制性的头巾和父权制文化，在一场名为“妇女、生命、自由"的革命运动中，妇女的自由主义具有危险和激进的性质。本研究将探讨政治斗争、女权主义和女权运动如何以及为何在伊朗运动中结合联合收割机。它将这样做，以揭示意义的深度，通知和解释当代抗议和类似的审美实践的flânerie出现在整个世界电影，但在伊朗电影和生活的背景下采取了一种非常特殊的政治货币。

This thesis will investigate the role of flânerie in Iranian cinema to understand how the politics ofspace - in terms of gender, class, tradition, and modernity - are represented, negotiated, resisted,and projected back onto Iranian social worlds and beyond. As Iranian women take to the streets toprotest the compulsory hijab and patriarchal culture in a revolutionary movement called "Woman,Life, Freedom,", female flânerie has taken on a dangerous and radical nature. This research willexamine how and why political struggles, feminist activism and flânerie combine in Iraniancinema. It will do this to reveal the depth of meaning that informs and explains contemporaryprotest and the affined aesthetic praxis of flânerie that appears throughout World cinema but takeson a very particular kind of political currency in the context of Iranian cinema and life.