Navigating Public Space in Iranian Cinema: Flânerie, Urbanophobia, and Gender.

探索伊朗电影的公共空间：自由、城市恐惧症和性别。

• 批准号: 2885106
• 金额: --
• 依托单位: University of Bristol
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2885106
• 关键词: Navigating; Public; Space; Iranian; Cinema

This thesis will investigate the role of flânerie in Iranian cinema to understand how the politics ofspace - in terms of gender, class, tradition, and modernity - are represented, negotiated, resisted,and projected back onto Iranian social worlds and beyond. As Iranian women take to the streets toprotest the compulsory hijab and patriarchal culture in a revolutionary movement called "Woman,Life, Freedom,", female flânerie has taken on a dangerous and radical nature. This research willexamine how and why political struggles, feminist activism and flânerie combine in Iraniancinema. It will do this to reveal the depth of meaning that informs and explains contemporaryprotest and the affined aesthetic praxis of flânerie that appears throughout World cinema but takeson a very particular kind of political currency in the context of Iranian cinema and life.

这篇论文将调查Flánerie在伊朗电影中的角色，以了解空间政治--在性别、阶级、传统和现代性方面--如何被表现、谈判、抵制，并被投射回伊朗社会世界和更远的地方。伊朗妇女走上街头，在一场名为“妇女、生命、自由”的革命运动中抗议强制的头巾和父权文化，女性解放运动呈现出危险和激进的性质。这项研究将考察政治斗争、女权主义激进主义和自由主义在伊朗如何以及为什么结合在一起。它将这样做，以揭示意义的深度，告知和解释当代的抗议和弗莱纳里的亲和审美实践，这种实践出现在整个世界电影中，但在伊朗电影和生活的背景下呈现出一种非常特殊的政治货币。