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Human Rights in a Prehuman World: Performative Restructurings of Human Rights in the Brokpa's Songs and Dances

前人类世界中的人权：布罗克帕歌舞中人权的表演性重组

基本信息

批准号：
2889451
负责人：
金额：
--
依托单位：
University of Cambridge
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2023
资助国家：
英国
起止时间：
2023 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2889451
关键词：
Human Rights Prehuman World Performative

项目摘要

How we can think of a conceptual shift in both the logic and praxis of human rights law by considering certainperformative expressions of human rights precepts, is the question I wish to explore via my PhD. This project intends toconduct ethnographic fieldwork with the Brokpa community in Ladakh, India. Over the last ten years, their folk songs anddances have incorporated concrete human rights precepts due to certain sociological reasons. This, I argue, is anembodied conception of rights that is similar to juridical and legal iterations in form and substance. The vocabulary ofhuman rights takes the form of a self-referential index for the community to project and relate to their socio-economicwoes through a morally authoritative register. Their way of claiming rights performatively creates a spectacle ofotherness and exoticisation that distinguishes them to the civil society and the state as pre-modern survivors ofcapitalism. Human rights workers and bureaucrats then themselves translate these claims into a legal template tochannelise developmental projects and global funds into Borkpa villages, resulting in a substantive configuration of rightsand obligations that might otherwise be available in law. This cultural production of rights, not grounded in civic politics orthe individualism of human dignity, offers a different foundation and modality of human rights law as a situated,contingent universal that is nonetheless produced locally.

我们如何通过考虑人权戒律的某些表演性表达来思考人权法逻辑和实践的概念转变，是我希望通过我的博士学位探索的问题。该项目打算与印度拉达克的布罗克帕社区进行民族志实地考察。近十年来，由于某些社会学原因，他们的民间歌舞已经融入了具体的人权理念。我认为，这是一种具体的权利概念，在形式和实质上类似于司法和法律的迭代。人权词汇采用自我参照索引的形式，供社区通过道德权威登记册来投射和关联其社会经济困境。他们以表演方式主张权利的方式创造了一种异质性和异国情调的景象，这将他们作为资本主义的前现代幸存者与公民社会和国家区分开来。然后，人权工作者和官僚们自己将这些主张转化为法律模板，将发展项目和全球资金引入博克帕村庄，从而形成法律上可能存在的权利和义务的实质性配置。这种权利的文化生产并不以公民政治或人类尊严的个人主义为基础，它为人权法提供了不同的基础和模式，作为一种情境性的、偶然的普遍性，但仍然是在当地产生的。