Women, Shakespeare and Asian Cinemas

女性、莎士比亚和亚洲电影

• 批准号: 2890297
• 金额: --
• 依托单位: Queen's University Belfast
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2890297
• 关键词: Women; Shakespeare; Asian; Cinemas

This thesis investigates the ways in which Asian cinemas represent, reimagine and repurpose Shakespeare's women. What does it mean when archetypes of English Renaissance womanhood are taken up and variously adapted across Asia (understood as China/Hong Kong, India, Japan, Korea, Taiwan and Thailand)? Ranging across national/transnational histories of cinema and industrial contexts, the thesis will be the first study of how Shakespeare's women signify in this part of the world. Including analysis of women directors/practitioners, and consideration of non-binary identities, the thesis argues that adaptation is always local and tied to particular familial, racial, religious and socio-economic circumstances and geographies.

本文调查了亚洲电影院代表，重新想象和重新利用莎士比亚的妇女的方式。在亚洲（被理解为中国/香港，印度，日本，韩国，台湾和泰国）占据和各种适应的英国文艺复兴时期女性时型是什么意思？在整个电影和工业环境的国家/跨国历史上，该论文将是莎士比亚妇女如何在世界上表现出的首次研究。该论文包括对女性董事/从业者的分析以及对非二元身份的考虑，认为适应始终是本地的，并且与特定的家庭，种族，宗教和社会经济环境和地理位置有关。