Women, Shakespeare and Asian Cinemas

女性、莎士比亚和亚洲电影

• 批准号: 2890297
• 金额: --
• 依托单位: Queen's University Belfast
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2890297
• 关键词: Women; Shakespeare; Asian; Cinemas

This thesis investigates the ways in which Asian cinemas represent, reimagine and repurpose Shakespeare's women. What does it mean when archetypes of English Renaissance womanhood are taken up and variously adapted across Asia (understood as China/Hong Kong, India, Japan, Korea, Taiwan and Thailand)? Ranging across national/transnational histories of cinema and industrial contexts, the thesis will be the first study of how Shakespeare's women signify in this part of the world. Including analysis of women directors/practitioners, and consideration of non-binary identities, the thesis argues that adaptation is always local and tied to particular familial, racial, religious and socio-economic circumstances and geographies.

本论文旨在探讨亚洲电影对莎士比亚笔下女性形象的再现、再想象和再定位。当英国文艺复兴时期的女性原型在亚洲（包括中国/香港、印度、日本、韩国、台湾和泰国）被采用并进行各种改编时，这意味着什么？跨越电影和工业背景的国家/跨国历史，论文将是第一次研究如何莎士比亚的妇女意味着在世界的这一部分。包括对女性导演/从业者的分析，以及对非二元身份的考虑，本文认为，适应总是地方性的，与特定的家庭，种族，宗教和社会经济环境和地理有关。