Connections between sound composition and visual art through the transformation of sound material into 3D objects and sonic spaces

通过将声音材料转换为 3D 对象和声音空间，声音创作与视觉艺术之间的联系

• 批准号: 2893455
• 金额: --
• 依托单位: De Montfort University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2893455
• 关键词: Connections; between; sound; composition; visual

An inherent problem in contemporary acousmatic music-music which uses recorded sound as its material-is the intangibility of its sound sources and the detachment it can generate in non-expert audiences, which limits its public reach. The proposed research addresses this issue, seeking means for the 'objectification' of sound-based composition, whereby music, drawing and sculpture become a fully integrated multimodal art object which mobilises the aural, visual and tactile senses collectively andinteractively in the aesthetic experience. Human perception is multisensory in nature. Neurons integrate signals across the senses as crossmodal associations (Stein Stanford 2008). Some correspondences are naturally associated, like pitch andelevation, auditory volume and visual brightness (Spence & Parise 2009), but crossmodal blending of mismatched stimuli (smell, touch, colour, and emotions) integrate into complex, hybridised sensory information, yielding richer aesthetic experiences.The application of such knowledge within artistic practice is an area rich with potential, yet has thus far received little attention. My work aims to address this. Practice-based and transdisciplinary, it will involve the creation of artworks and installations responsive to interaction, investigating the multisensory interconnections - crossmodal associations or correspondences - between music, the visual arts and haptics, combining spatialized sound, 3D objects and user interfaces. In doing so it offers new ways of engaging audiences in the creative process.

当代声学音乐（使用录音作为素材的音乐）的一个固有问题是其声源的无形性和在非专业观众中产生的超然感，这限制了其公众影响力。拟议的研究解决了这个问题，寻求方法的“客观化”的声音为基础的组成，使音乐，绘画和雕塑成为一个完全集成的多模态艺术对象，调动听觉，视觉和触觉感官集体和互动的审美体验。人类的感知本质上是多感官的。神经元将各种感觉中的信号整合为跨模态关联（Stein斯坦福大学，2008）。有些对应关系是自然关联的，如音高和仰角，听觉音量和视觉亮度（Spence & Parise 2009），但不匹配刺激（嗅觉，触觉，颜色和情感）的跨模态混合整合成复杂的，混合的感官信息，产生更丰富的审美体验。这些知识在艺术实践中的应用是一个富有潜力的领域，但迄今为止很少受到关注。我的工作旨在解决这个问题。基于实践和跨学科，它将涉及艺术品和装置的创作响应互动，调查音乐，视觉艺术和触觉之间的多感官互连-跨模态关联或对应关系，结合空间化声音，3D对象和用户界面。在这样做的过程中，它提供了吸引观众参与创作过程的新方法。