New Making: Cultures of Quotidian Pottery and Porcelain Mending in the Long Eighteenth Century

新制作：漫长十八世纪的日常陶艺文化和瓷器修补文化

基本信息

批准号：
2908498
负责人：
金额：
--
依托单位：
University of Cambridge
依托单位国家：
英国
项目类别：
Studentship
财政年份：
2023
资助国家：
英国
起止时间：
2023 至无数据
项目状态：
未结题

来源：
https://gtr.ukri.org/projects?ref=studentship-2908498
关键词：
New Making Cultures Quotidian Pottery

项目摘要

My doctoral project will explore lower-status household pottery and porcelain mending in Britain between 1660 and 1830,championing these repair cultures as an important and under-studied facet of consumption in the long eighteenthcentury. The diverse practices of china-burning, metal-lacing, gluing, riveting, filling and wire-binding are often passedover by scholars and concealed by museological practice. Informed by new materialist and actor-network-theoreticperspectives, I will provide an innovative new study exploring ceramic repair as a 'remaking' where the agencies oftrades people, servants, ceramicists, householders, diners, cooks and materials intermixed. Research will combinetraditional archive and collections based methodologies with parallel experimental reconstructive approaches to drawvisual and textual material from MS receipt books, advertisements, trade cards, household accounts and probateinventories together with the rich landscape of ceramic collections and archeological assemblages which surroundCambridge. I will take my material sources predominantly from the Fitzwilliam Museum's unique Glaisher ceramics,collaborating with the Museum under the co-supervision of Keeper of European Sculpture and Decorative Arts DrVictoria Avery to integrate this often ignored and erased history into our broader understanding of eighteenth-centuryconsumption.

我的博士学位项目将在1660年至1830年之间探索英国较低地位的家用陶器和瓷器修补厂，以十八世纪长期以来，以这些修复文化为重要且研究不足的消费方面。学者们经常通过博物馆实践掩盖了中国燃烧，金属绑带，粘合，诱饵，填充和金属丝结构的多种做法。在新的唯物主义者和演员网络理论观察的情况下，我将提供一项创新的新研究，探索陶瓷修复，作为“重建”，贸易代理商，仆人，陶艺家，住户，食客，食客，厨师和材料都互混杂。研究将从MS收据书籍，广告，商业卡，家庭帐户和遗嘱认证的陶瓷收藏和陶瓷收藏和周围环境的考古结构的丰富景观以及周围环绕的陶瓷收藏品的丰富景观以及周围环绕的陶瓷景观的丰富景观，将基于收藏的方法与基于收藏的方法与平行的实验重建方法相结合。我将主要来自Fitzwilliam博物馆独特的魅力陶瓷的资料来源，并在欧洲雕塑和装饰艺术的守护者drvictoria avery的同事下与博物馆合作，以将其整合到我们对80世纪十分浓度的更广泛的了解中，以将其整合到我们的更广泛的历史中。