Loss, a practice for making; catalysing new methods for movement practice and performance.

失去，是一种创造的实践；

• 批准号: 2909120
• 金额: --
• 依托单位: Kingston University
• 依托单位国家: 英国
• 项目类别: Studentship
• 财政年份: 2023
• 资助国家: 英国
• 起止时间: 2023 至 无数据
• 项目状态: 未结题
• 来源: https://gtr.ukri.org/projects?ref=studentship-2909120
• 关键词: Loss; practice; making; catalysing; new

This project is concerned with how loss can be experienced and conceptualised within artistic practice to inform a methodology for making movement work. Through practice-as-research, the project explores relationships between notions of loss, choreography, and performance. It argues loss can be identified as a process within artistic practice because artistic practice moves, creates, and is subject to adaptation and change. Considering discourse on loss defined beyond death or fixed event, the project engages with loss through lenses of adaption and change (Harris), politics of mourning as method to reanimate the past (Eng and Kranz), and grief as a means for transformation (Butler). These conceptual frameworks will be explored through processes of movement practice where loss is a transformative, or adaptive, and embodied phenomenon that is repeatedly and continually engaged. The Covid-19 pandemic produced multiple loss experiences, engendering a sense of commonality whilst being appraised, felt, and reconciled individually (Harris, 2011). This research is rooted in questions emerged during this historical moment and prompts interrogation of how movement itself is already and always engaged in processes of loss. This project considers how loss is perpetually experienced in movement and choreographic practice through creative approaches of not-knowing, unknowing, uncertainty and discovery to engage with what is left and discovered because (and not in spite) of loss.Drawing on and contributing to foundational discourse on performance ephemerality (Phelan) and the body as archive (Lepecki), temporal and corporeal properties of loss will be interrogated to reveal loss as a complex experience that permeates movement-based improvisation, choreographic research, and acts of performance. Theoretical and embodied research will generate creative outputs including workshops and performances, which will be reflectively and creatively examined through autoethnographic documentation. The project will contribute new theoretical understandings of loss, producing a specific loss methodology for movement practice with epistemological value.

这个项目关注的是如何在艺术实践中体验和概念化损失，以提供一种使运动工作的方法。通过作为研究的实践，该项目探讨了损失，编舞和性能的概念之间的关系。它认为，损失可以被确定为艺术实践中的一个过程，因为艺术实践移动，创造，并受到适应和变化。考虑到对死亡或固定事件之外的损失定义的话语，该项目通过适应和变化的镜头（哈里斯），哀悼的政治作为复活过去的方法（恩格和克兰兹），以及悲伤作为转变的手段（巴特勒）与损失接触。这些概念框架将通过运动实践的过程进行探索，其中损失是一种反复和持续参与的变革性或适应性和体现性现象。2019冠状病毒病大流行产生了多种损失体验，在被单独评估、感受和调和的同时产生了一种共同感（Harris，2011）。这项研究植根于这一历史时刻出现的问题，并提示对运动本身如何已经并始终参与损失过程的质疑。这个项目考虑了如何在运动和舞蹈实践中不断地经历损失，通过创造性的方法，不知道，不确定性和发现，与留下和发现的东西接触，因为（而不是尽管）的损失。借鉴并促进基础话语的性能短暂性（埃兰）和身体作为档案（Lepecki），损失的时间和物质属性将被审问，以揭示损失是一种复杂的体验，渗透到基于运动的即兴创作、舞蹈研究和表演行为中。理论和具体的研究将产生创造性的产出，包括研讨会和表演，这将是反思性和创造性的检查，通过autoethnographic文件。该项目将为损失提供新的理论理解，为运动实践提供具有认识论价值的具体损失方法论。