Curating Architecture: researching the influence of architectural ideas in contemporary curatorial practice

策展建筑：研究建筑理念对当代策展实践的影响

• 批准号: AH/D00179X/1
• 负责人: Andrea Phillips
• 金额: $ 19.59万
• 依托单位: Goldsmiths University of London
• 依托单位国家: 英国
• 项目类别: Research Grant
• 财政年份: 2007
• 资助国家: 英国
• 起止时间: 2007 至 无数据
• 项目状态: 已结题
• 来源: https://gtr.ukri.org/projects?ref=AH%2FD00179X%2F1
• 关键词: Curating; Architecture; researching; influence; architectural

Curating Architecture aims to develop and interrogate ideas proposed by recent and recurring influences of architecture on contemporary curatorial practice through the joint development of critical discourse and curatorial commissioning processes.Principal research questions:- In what ways is architecture emerging as a critical concept for contemporary curators?- How are artists using the modalities of architecture in their practice?- In what ways do contemporary theoretical ideas articulate the emergence of an 'expanded field' of architecture?- In what ways does this expanded field effect and influence contemporary curating?Method:- four seminars at Goldsmiths (2006-07) to which a core research group of 15 UK-based artists, architects, curators and academics will be invited, and at which an international speaker will give a paper each time;- four artists' commissions (2007-08) in a variety of locations in the UK;- publicly accessible website documenting the process of both strands of research activity.Research context:Curating has traditionally been described as the practice of exhibiting artefacts defined in their scale and scope by gallery or museum walls, with occasional off-site or site-specific projects stretching these architectonic bounds. Yet recent artistic and architectural projects revise this definition (for example the work of Diller & Scofidio, MVRDV, Andrea Zittel, Olafur Eliasson). Artistic projects frequently develop from curatorial and design-based concepts of display (for example Thomas Hirschorn, Jorge Pardo). Architects, as Piers Gough (Blueprint 08/2003) and James Turrell (The Observer 10/2005) have pointed out, curate buildings, particularly and most intensely when they design museums and galleries (for example Rem Koolhaas's Guggenheim Las Vegas, Zaha Hadid's RCCA, Cincinnati). Recent artistic, architectural and curatorial initiatives and debates have sought to complicate such questions of form and status forming important contexts for the development of Curating Architecture. They include Territories, Witt de With, Rotterdam; Critical Architecture, Bartlett School of Architecture, London; Museum in Motion, Jan Van Eyck Academy, Maastrict; Informal Architectures, Banff Center for the Arts, Calgary; Situations, Bristol; InSite, San Diego-Tijuana; Plan Forum, Cologne.In addition, critics such as Anthony Vidler, Bernard Tschumi, Peter Eisenman, Miwon Kwon, Rosalyn Deutsche, Susan Buck-Morss, Bruno Latour, Paul Carter, Mark Wigley and Doreen Massey have touched in different modes on the way in which art and architecture develop critical relationships. Our emphasis on curating takes this research into new territories.Goldsmiths:Curating Architecture has been initiated to develop new formations of research in the Visual Arts Department at Goldsmiths. It is organised to bring new and more experienced researchers together within the Department of Visual Arts, within the broader framework of Goldsmiths and to develop new academic networks and frameworks for the area of research within the Department. Application and benefit:Curating Architecture is designed to produce dialogue in a number of overlapping contexts. Seminar discussions and artists' documentation will be accessible on the website, and be of direct interest to architects, artists, academics, students. We expect the commissioned works, which will be located in a number of galleries and sites, to generate discussion in a broader context. This proposal develops a series of popular public talks at the Photographers' Gallery, London that established a broad audience made up of specialists and members of the gallery-going public, proving a demand for discussion around the subject.

策展建筑旨在通过批判性话语和策展委托过程的共同发展，发展和质疑建筑对当代策展实践的近期和反复出现的影响所提出的想法。主要研究问题：-建筑以何种方式成为当代策展人的关键概念？-艺术家如何在他们的实践中使用建筑的形式？当代理论思想如何阐明建筑“扩展领域”的出现？-这种扩展的领域在哪些方面影响和影响当代策展？方法：在金匠学院举办四次研讨会（2006-07），邀请15名英国艺术家、建筑师、策展人和学者组成的核心研究小组参加，每次由一名国际演讲者发表论文；-在英国不同地点的四个艺术家委员会（2007-08）；-公开访问的网站，记录两种研究活动的过程。研究背景：传统上，策展被描述为展示由画廊或博物馆墙壁确定其规模和范围的人工制品的实践，偶尔会有场外或特定场地的项目扩展这些建筑界限。然而，最近的艺术和建筑项目修改了这一定义（例如Diller & Scofidio， MVRDV, Andrea Zittel， Olafur Eliasson的作品）。艺术项目经常从策展和基于设计的展示概念发展而来（例如Thomas Hirschorn， Jorge Pardo）。正如Piers Gough （Blueprint 08/2003）和James Turrell （The Observer 10/2005）所指出的那样，建筑师在设计博物馆和画廊时，尤其是在最强烈的时候（例如Rem Koolhaas的Guggenheim Las Vegas， Zaha Hadid的RCCA， Cincinnati）。最近的艺术、建筑和策展倡议和辩论试图使这些形式和地位的问题复杂化，形成了策展建筑发展的重要背景。它们包括Territories、Witt de With、鹿特丹；批判建筑，巴特利特建筑学院，伦敦；运动博物馆，扬·凡·艾克学院，马斯特里赫特；非正式建筑，班夫艺术中心，卡尔加里；情况下,布里斯托尔;InSite，圣地亚哥-蒂华纳；科隆计划论坛。此外，评论家如Anthony Vidler， Bernard Tschumi, Peter Eisenman, Miwon Kwon, Rosalyn Deutsche, Susan Buck-Morss, Bruno Latour, Paul Carter， Mark Wigley和Doreen Massey以不同的模式触及艺术和建筑发展关键关系的方式。我们对策展的重视将这项研究带入了新的领域。金匠学院：策展建筑已经开始在金匠学院的视觉艺术系发展新的研究形式。它的组织是为了将视觉艺术系内新的和更有经验的研究人员聚集在一起，在金史密斯更广泛的框架内，并为该系内的研究领域开发新的学术网络和框架。应用和好处：策划建筑的目的是在许多重叠的环境中产生对话。研讨会讨论和艺术家的文档将在网站上访问，建筑师、艺术家、学者和学生将直接感兴趣。我们希望这些被委托的作品能够在更广泛的背景下引发讨论，这些作品将在许多画廊和地点展出。这一提议在伦敦摄影师画廊开展了一系列受欢迎的公众讲座，建立了由专家和画廊公众组成的广泛听众，证明了围绕该主题进行讨论的需求。

项目成果

Doubling the Reading

阅读量加倍

• 作者: Andrea Phillips (Author)

Public Art: Architecture and Participation

公共艺术：建筑与参与

• 作者: Dr Andrea Phillips (Author)

Support Structures

支撑结构

• 作者: Dr Andrea Phillips (Author)

Belgian Pavilion catalogue, Venice Architecture Biennale 2008

2008 年威尼斯建筑双年展比利时馆目录

• 作者: Dr Andrea Phillips (Author)

Spaces of Production

生产空间

• 作者: Dr Andrea Phillips (Author)