权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

Francophone Music Criticism, 1789-1914

法语音乐批评，1789-1914 年

基本信息

批准号：
AH/E509320/1
负责人：
Katharine Ellis
金额：
$ 3.04万
依托单位：
University of London
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2006
资助国家：
英国
起止时间：
2006 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FE509320%2F1
关键词：
Francophone Music Criticism 1789 1914

项目摘要

The network will be set up as a virtual and face-to-face workshop over two years. Its long-term aim is to bring together individual scholars, many of whom work in contiguous or overlapping areas. The study of music criticism is a central part of cultural history; yet it is riddled with methodological traps, and the current tradition of work via the 'lone scholar' method has meant that the sharing of information has been somewhat inefficient. In addition, the scholars in this network have, in the course of their research, amassed large quantities of primary material which is of use to others, both within and outside academia. Much of this material remains underexploited.Thus far, the wealth of information and opinion in the nineteenth-century press has been subjected to a variety of approaches, all of which help Scholars control an unwieldy mass of material, but which do not provide the most useful form of access to original texts. Indexes (print and web-based; dossiers de presse (print) and scanned originals on library websites such as Gallica (BNF) all have their strengths. However the sector still lacks a means of bringing these projects together in a way that renders them a multi-faceted, searchable, research tool available to all without subscription.At present scholars are, in the course of disparate projects, duplicating each other's' work. This is true not just of those working in musicology but also those working on the history of dance. For this reason, the current proposal is to link musicologists with historians of ballet in order to share information and encourage new perspectives in the interpretation of journalistic and related texts. Since many of these texts were written by figures who straddled theatre and opera criticism, or concert and drama criticism, the network will in its constitution reflect something of the diversity of the society whose work it aims to understand, and will provide an effective way to enrich our understanding of the tensions involved in being a commentator on cultural in the country whose press was, at the time, the most sophisticated and diversified in the world.The Network will have two international meetings and smaller UK-member meetings over the two-year period. These workshops will be opportunities for the presentation of work in progress, for intensive comparing of notes, and for discussion---increasingly detailed---of the underlying principles of the web resource. AHDS advice will form an integral part of the UK member workshops, since these latter will form a sub-group that is more closely involved with the web-mounting preparation than our overseas members. We expect that the Network will help scholars bring their work to completion as well as helping spawn new, potentially collaborative, projects.As currently planned, the Network aims to have completed preparations for the web-mounting of its first tranches of material at the end of two years. One of these will comprise all known reviews and previews of Debussy's 'PeHeas et Melisande' published in the summer of 1902. The Network will debate the merits and utility of other tranches of material during its workshops, assessing them for their importance to the widest variety of readers, including musicologists, historians, biographers, programme-note writers, broadcasters and other members of the cultural sector. AU tranches of material will be mounted as soon as they are ready, resulting in a cumulative resource that has impact immediately and whose scope and value steadily increase. If funding for text-inputting is forthcoming before the end of the two-year period, the timetable for mounting web material {on the Institute website) will be accelerated.During and beyond the lifetime of the Network, members will also contribute to a collaborative dictionary which helps piece together the careers of major critics, identifies pseudonyms where possible, and provides a contextual grounding for the web-mounted texts.

该网络将作为一个虚拟和面对面的研讨会建立，为期两年。它的长期目标是汇集个别学者，其中许多人在连续或重叠的领域工作。音乐批评的研究是文化史的核心部分;然而，它充满了方法论陷阱，当前通过“孤独学者”方法进行工作的传统意味着信息共享的效率有些低。此外，该网络中的学者在研究过程中积累了大量对学术界内外其他人有用的原始材料。到目前为止，19世纪出版业中的信息和观点财富受到了各种各样的影响，所有这些都有助于学者们控制大量的材料，但这些都不能提供最有用的原始文本。索引（印刷版和网络版）、印刷版和Gallica（BNF）等图书馆网站上的扫描原件都有自己的优势。然而，该部门仍然缺乏一种手段，将这些项目集中在一起，使它们成为一个多方面的、可搜索的、所有人都可以免费使用的研究工具。目前，学者们在不同的项目过程中，相互重复工作。这不仅适用于那些从事音乐学研究的人，也适用于那些从事舞蹈史研究的人。因此，目前的建议是将音乐学家与芭蕾舞历史学家联系起来，以便分享信息，并鼓励在解释新闻和相关文本时采用新的观点。由于这些文本中有许多是由跨越戏剧和歌剧批评，或音乐会和戏剧批评的人物撰写的，该网络将在其宪法中反映其工作旨在了解的社会的多样性，并将提供一种有效的方式来丰富我们对作为文化评论员所涉及的紧张局势的理解，当时，该网络将在两年期间举行两次国际会议和较小的联合王国成员会议。这些讲习班将提供机会，介绍正在进行的工作，深入比较说明，并讨论-越来越详细-网络资源的基本原则。AHDS建议将成为英国成员研讨会的一个组成部分，因为后者将形成一个小组，比我们的海外成员更密切地参与网络安装的准备工作。我们期望该网络将帮助学者完成他们的工作，并帮助产生新的、可能合作的项目，按照目前的计划，该网络的目标是在两年后完成将其第一批材料上网的准备工作。其中之一将包括所有已知的评论和预览德彪西的'PeHeas et Melisande'发表在1902年夏天。该网络将在讲习班期间讨论其他部分材料的优点和用途，评估它们对最广泛的读者的重要性，包括音乐学家、历史学家、传记作家、节目记录作家、广播员和文化部门的其他成员。Au的材料部分一旦准备就绪，就会立即安装，从而产生立即产生影响的累积资源，其范围和价值稳步增加。如果在两年期结束之前能够获得文本输入的资金，将加快（在研究所网站上）安装网络材料的时间表，在网络存在期间和之后，成员们还将为一个合作词典作出贡献，该词典将帮助拼凑主要评论家的职业生涯，尽可能确定同义词，并为安装在网络上的文本提供上下文基础。