Staging the Henrician Court
亨利西安宫廷的布置
基本信息
- 批准号:AH/F018290/1
- 负责人:
- 金额:$ 48.71万
- 依托单位:
- 依托单位国家:英国
- 项目类别:Research Grant
- 财政年份:2008
- 资助国家:英国
- 起止时间:2008 至 无数据
- 项目状态:已结题
- 来源:
- 关键词:
项目摘要
The Great Hall at Hampton Court Palace is the only great hall built by Henry VIII. It is also the only existing Renaissance building in England for which there is unambiguous evidence of its being used for performances throughout the period c.1525 - 1658. In particular, the Great Hall at Hampton Court is largely the same space today as it was when William Shakespeare staged his A Midsummer Night's Dream before James I and VI. Staging the Henrician Court is an interdisciplinary research project into John Heywood's drama, the Play of the Wether. It will be based on historical research and textual analysis and will use dramatic performances and workshops in the Great Hall at Hampton Court to research the Henrician court. There has been some very useful research conducted at the New Globe based upon the recreation of authentic performances of Shakespeare's plays but what makes Staging the Henrician Court unique is that the Great Hall at Hampton Court is largely the same as it was in the sixteenth and seventeenth centuries. This means that the kind of codas and caveats that inevitably surround research conducted in reconstructed performance spaces like the New Globe will be less pressing when working in the Great Hall. Staging the Henrician Court is the second stage of the project. The first stage, which was funded by the AHRC and was completed in the May 2007, staged a workshop in the Great Hall in order to define the kind of problems that need to be solved before a full research-led production of a Henrician court drama could be successfully produced in the Hall. The results of this initial project, and its sucess, forms the foundation of the current grant application. Staging the Henrician Court will use The Play of the Wether, by John Heywood, one of the leading playwrights of the period, in order to research, through performance, the way court space was managed at Henry VIII's court. In this play the God Jupiter, representing Henry VIII, decides to come to earth and resolve the constant debates that humans have over which is the best kind of weather. He finds, however, that no-one can agree. Millers want rain while washer women want sun and wind and little boys desire snow. In the end Jupiter decides to leave things as they are. The play is an allegory of the religious choices facing Henry in 1533 and subtly argues that the best policy for the king to follow is to do nothing, while trying to pacify existing disputes. 2009 will be the anniversary of Henry VIII's succession in 1509. Staging the Henrician Court is fully supported by Historic Royal Palaces, the charity that manages Hampton Court, and will form an important part of the events planned for 2009 to mark Henry's succession.
汉普顿宫的大厅是亨利八世建造的唯一的大厅。它也是英国现存的唯一一座在1525年至1658年期间被用作表演场所的文艺复兴时期建筑。尤其值得一提的是,汉普顿宫的大厅如今与威廉·莎士比亚在詹姆斯一世和六世之前上演他的《仲夏夜之梦》时大体相同。上演亨利宫廷是对约翰·海伍德的戏剧《雨之戏》的跨学科研究项目。它将以历史研究和文本分析为基础,并将利用汉普顿宫大厅的戏剧表演和讲习班来研究亨利宫廷。在新环球剧院进行了一些非常有用的研究,这些研究是基于莎士比亚戏剧的真实表演的再现,但《亨利宫廷舞台》的独特之处在于,汉普顿宫的大厅与16世纪和17世纪的大厅基本相同。这意味着,在重建的表演空间(如新环球剧院)进行的研究中,不可避免地会出现结束语和警告,而在大会堂进行的研究将不那么紧迫。亨利宫廷是该项目的第二阶段。第一阶段由人权委员会资助,于2007年5月完成,在大会堂举办了一个讲习班,以确定在大厅成功制作以研究为主导的亨利宫廷戏剧之前需要解决的问题。这个初始项目的成果及其成功,构成了当前奖助金申请的基础。上演亨利八世宫廷将使用约翰·海伍德的《雨之戏》,他是当时最著名的剧作家之一,目的是通过表演来研究亨利八世宫廷空间的管理方式。在这部戏剧中,代表亨利八世的朱庇特神决定来到地球,解决人类关于哪种天气是最好的天气的持续争论。然而,他发现没有人能同意。磨坊主要雨,洗衣妇要阳光和风,小男孩要雪。最后,木星决定让事情保持原样。该剧寓言了1533年亨利面临的宗教选择,并巧妙地指出,国王最好的政策是什么都不做,同时试图平息现有的争端。2009年将是1509年亨利八世继位的周年纪念日。“亨利宫廷”的演出得到了管理汉普顿宫的慈善机构“历史皇家宫殿”的全力支持,并将成为2009年纪念亨利继位活动的重要组成部分。
项目成果
期刊论文数量(4)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Oxford Handbook of Tudor Drama
牛津都铎戏剧手册
- DOI:
- 发表时间:2012
- 期刊:
- 影响因子:0
- 作者:Thomas Betteridge
- 通讯作者:Thomas Betteridge
Writing Faith and Telling Tales: Literature, Politics, and Religion in the Work of Thomas More
书写信仰和讲述故事:托马斯·莫尔作品中的文学、政治和宗教
- DOI:
- 发表时间:2013
- 期刊:
- 影响因子:0
- 作者:Betteridge Thomas
- 通讯作者:Betteridge Thomas
The Oxford Handbook to Tudor Literature 1485 - 1603
牛津都铎文学手册 1485 - 1603
- DOI:
- 发表时间:2009
- 期刊:
- 影响因子:0
- 作者:Thomas Betteridge
- 通讯作者:Thomas Betteridge
Old habits, new dynamics: a case study of Web 2.0 in collaborative humanities and arts research
旧习惯,新动力:协作人文艺术研究中的 Web 2.0 案例研究
- DOI:10.3366/ijhac.2011.0029
- 发表时间:2011
- 期刊:
- 影响因子:0
- 作者:Goren D
- 通讯作者:Goren D
{{
item.title }}
{{ item.translation_title }}
- DOI:
{{ item.doi }} - 发表时间:
{{ item.publish_year }} - 期刊:
- 影响因子:{{ item.factor }}
- 作者:
{{ item.authors }} - 通讯作者:
{{ item.author }}
数据更新时间:{{ journalArticles.updateTime }}
{{ item.title }}
- 作者:
{{ item.author }}
数据更新时间:{{ monograph.updateTime }}
{{ item.title }}
- 作者:
{{ item.author }}
数据更新时间:{{ sciAawards.updateTime }}
{{ item.title }}
- 作者:
{{ item.author }}
数据更新时间:{{ conferencePapers.updateTime }}
{{ item.title }}
- 作者:
{{ item.author }}
数据更新时间:{{ patent.updateTime }}
Thomas Betteridge其他文献
Thomas Betteridge的其他文献
{{
item.title }}
{{ item.translation_title }}
- DOI:
{{ item.doi }} - 发表时间:
{{ item.publish_year }} - 期刊:
- 影响因子:{{ item.factor }}
- 作者:
{{ item.authors }} - 通讯作者:
{{ item.author }}
{{ truncateString('Thomas Betteridge', 18)}}的其他基金
Exploring the potential of combining performance and digital research in a heritage context.
探索在遗产背景下将表演和数字研究相结合的潜力。
- 批准号:
AH/N003896/1 - 财政年份:2015
- 资助金额:
$ 48.71万 - 项目类别:
Research Grant