Religious nonconformity and performance in Britain (circa 1620-1680)

这个项目分析了在17世纪世纪的英国，宗教不一致的方式及其与戏剧表演的关系。其理论方法侧重于观众，空间，伪装，皈依和信仰;通过将其应用于历史案例研究，增加了对被禁宗教和表演的了解。

This project analyses the ways in which religious nonconformity was practised in 17th Century Britain and its relationship to dramatic performance. Its theoretical approach focuses on audience, space, dissimulation, conversion and belief; knowledge of proscribed religion and performance is increased through its application to historical case-studies.