Material Presence of Writing and the Practice of Iconographic Reception in Medieval Didactic Poetry. Text-Image Edition with Commentary of Der Welsche Gast by Thomasin von Zerklaere (B06)

在第一个资助期内，利用数字分析和显示模式的系统应用，开发了一个新的编辑概念，同时也进行了初步的编辑工作。第二个资助期的目标是完成电子版。大多数手稿中包含的或计划中的图像被理解为构成传播材料存在的一个组成部分，对个人证人图像变化的关注被视为对接受实践的分析。至于文本版本，它继续由中世纪学者从一个明显的跨学科的角度来建立，在图形精确转录的制作和评估过程中，主要的焦点将放在与写作有关的行为学问题上，关于系统发育传播过程的分析，以及对具体作品与其语义之间关系的调查。在此基础上，将制作一个文本的批判版。

During the first funding period a new editing concept was developed making use of the systematic application of modes of digital analysis and display, while at the same time, preliminary editorial work was also done. In the second funding period the aim is to finalise the digital edition. The iconography that was included in or planned for most of the manuscripts is understood as forming an integral part of the material presence of the transmission, and attention to changes in iconography in individual witnesses is seen as analysis of reception practices. As for the text edition, which continues to be established by medievalists working from a pronounced interdisciplinary perspective, the main focus during the production and evaluation of graphically exact transcriptions will be on praxeological questions pertaining to writing, on analysis of phylogenetic transmission processes as well as on investigation into the relationship between concrete writings and their semantics. Based on that, a critical edition of the text will be produced.