Ignaz Günther in the context of European artistic transfer in the Baroque and Rococo period

虽然Ignaz g<e:1> nther被认为是德国南部洛可可时期最重要的雕塑家之一，但仍然没有对这位多才多艺和敬业的艺术家进行全面的评价。到目前为止，对他的雕塑成就的评价过于片面，他一直被视为仅仅是巴伐利亚传统的雕塑家。人们普遍为他的艺术专著失传而惋惜。Ignaz g<e:1> nther将在17世纪和18世纪欧洲艺术转移的背景下进行考虑。我们将探讨巴伐利亚州之外可能的榜样及其影响的问题，并记录Ignaz g<e:1> nther作为祭坛建筑师的作品。通过这种方式，Paul Egell和Johann Bernhard Fischer von Erlach对g<e:2> nther的雕塑作品和祭坛建筑的重要性可以得到证明，以及他如何通过书籍媒介吸收罗马和法国的高巴洛克风格。通过检查他部分重建的图书馆和几封幸存的信件，这些信件在经过评估的来源中可以为他丢失的教科书提供一定的替代价值，可以评估他的艺术技能和学习程度。可以理解他自己的艺术思想，可以说明他对祭坛的规划和建造的方法。

Although Ignaz Günther is recognized as one of the most important sculptors of the South German Rococo period, there is still no comprehensive evaluation of this multi-talented and dedicated artist. Up to now, the appraisal of his sculptural accomplishments has been too one-sided and he has been seen solely as a sculptor in the Bavarian tradition. The loss of his treatise on art has been generally lamented.Ignaz Günther will be considered in the context of the European artistic transfer of the 17th and 18th centuries. The question of possible role models beyond the bounds of Bavaria and their influence will be explored, and Ignaz Günther's works as an altar architect will be recorded. In this way, the importance of Paul Egell and Johann Bernhard Fischer von Erlach for Günther's sculptural work and altar architecture can be demonstrated and also how he absorbed the Roman and French High Baroque through the medium of books. By examining his partially reconstructable library and several surviving letters, which, wenn sources have been evaluated, can offer a certain replacement value for his lost textbook, the extent of his artistic skills and learning can be assessed. His own ideas on art can be understood and his approach to the planning and building of an altar can be illustrated.