Collaborative Research: The Role of Narrative in Music Perception
Collaborative Research: The Role of Narrative in Music Perception
批准号:
1734063
负责人:
Devin McAuley
金额:
$21.81万
依托单位国家:
美国
项目类别:
Standard Grant
财政年份:
2017
资助国家:
美国
项目状态:
已结题
起止时间:
2017-08-01 至 2023-07-31
中文摘要
音乐和语言都是人类传达意义的交流方式。尽管有许多关于语言如何获得意义的研究,但关于音乐如何变得有意义的研究却很少。一种假设是,音乐获得意义的部分原因是听者对音乐事件施加了叙事意义,随着音符的展开,将抽象的音乐序列转化为故事情节(这一过程被称为叙事聆听)。为了解开自然和经验在音乐意义形成中的作用问题,我们将进行一系列平行实验,这些实验将改变音乐节选的结构特征和听者的文化背景。更多地了解支撑音乐意义的机制,从根本上增进了我们对人类交流和艺术表达的理解,并有更大的潜力促进跨文化交流。这项工作还将为探索不同文化的外行听众的音乐体验提供新的方法,这些听众往往缺乏音乐词汇来描述他们的感受。通过连接科学和人文学科,该项目将为人文学科的学生提供基于stem的研究培训,反过来,让科学专业的学生接触人文学科的问题,这些问题将从新的科学方法的发展中受益。通过开发和传播一款通过手机收集众包数据的新应用程序,将扩大该项目的覆盖范围。嵌入式GPS技术将允许研究人员绘制出跨越地理和文化的叙事倾听的模式和变化。该项目采用理论驱动和跨文化的方法来调查塑造叙事听音乐的核心因素。研究人员将获得一组关于叙述性听力的规范性跨文化数据,这些数据来自很少接触中国音乐的美国听众和很少接触西方音乐的中国听众。如果叙事性聆听产生于将抽象刺激具体化的基本倾向,那么听众将倾向于将代理归因于音乐中违背他们期望的点,以便理解他们所听到的内容。如果叙事聆听源于文化适应,人们应该更有可能从自己的文化中感知音乐中的叙事,而不是从不同的文化中。在一种文化中,人们应该更有可能感知高话题联想音乐的叙事,而不是低话题联想音乐的叙事。最后,研究人员将研究叙事聆听与其他音乐感知方面的关系,为已建立的现象提供新的见解,并开辟新的研究途径。
英文摘要
Music and language are both modes of human communication that convey meaning. Although there are many studies of how language acquires meaning, little is known about how music becomes meaningful. One hypothesis is that music acquires meaning in part because listeners impose narrative significance to musical events, translating abstract musical sequences into a story line as the notes unfold (a process known as narrative listening). A series of parallel experiments will be conducted that vary both the structural features of musical excerpts and the cultural background of the listener in order to disentangle questions about the role of nature and experience in the formation of musical meaning. Learning more about the mechanisms that underpin musical meaning fundamentally adds to our understanding of human communication and artistic expression, with the broader potential to lead to improved intercultural exchange. The work will also contribute new methodologies to probe the musical experiences of lay listeners across cultures, who often lack the musical vocabulary to describe their perceptions. By bridging science and the humanities, the project will provide STEM-based research training to students in the humanities and, in turn, expose students in the sciences to questions in the humanities that would benefit from development of novel scientific methodologies. The project's reach will be expanded by the development and dissemination of a new app for collecting crowd-sourced data via cell phone. Embedded GPS technology will allow the researchers to map patterns and variations in narrative listening across geography and cultures.This project takes a theory-driven and cross-cultural approach to investigate the core factors that shape narrative listening to music. The investigators will obtain a normative set of cross-cultural data on narrative listening for a large sample of Western and Chinese musical excerpts from both American listeners with little exposure to Chinese music and from Chinese listeners will little exposure to Western music. If narrative listening arises from a fundamental tendency to make abstract stimuli concrete, then listeners will tend to ascribe agency to points in the music that violate their expectations in order to make sense of what they hear. If narrative listening arises from enculturation, people should be more likely to perceive narratives in music from their own culture than from a different culture. Within a culture, people should be more likely to perceive narratives for high topical-association music than for low topical-association music. Lastly, the investigators will examine the relationship between narrative listening and other well-studied aspects of music perception, providing novel insights about established phenomena and opening up new avenues of investigation.
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DOI:
10.1016/j.cognition.2022.105180
发表时间:
2022-06
期刊:
Cognition
影响因子:
3.4
作者:
[E. Margulis;Jamal Williams;Rhimmon Simchy-Gross;J. Devin McAuley]
通讯作者:
E. Margulis;Jamal Williams;Rhimmon Simchy-Gross;J. Devin McAuley
DOI:
10.1016/j.tics.2022.11.014
发表时间:
2023
期刊:
Trends in Cognitive Sciences
影响因子:
19.9
作者:
[Margulis, Elizabeth Hellmuth, McAuley, J. Devin]
通讯作者:
McAuley, J. Devin
Intersubjectivity and shared dynamic structure in narrative imaginings to music.
音乐叙事想象中的主体间性和共享动态结构。
DOI:
--
发表时间:
2023
期刊:
Music Theory Online
影响因子:
0.8
作者:
[Margulis, E.H.]
通讯作者:
Margulis, E.H.
Using music to probe how perception shapes imagination
用音乐探索感知如何塑造想象力
DOI:
10.1016/j.tics.2022.07.011
发表时间:
2022
期刊:
Trends in Cognitive Sciences
影响因子:
19.9
作者:
[Margulis, Elizabeth Hellmuth, McAuley, J. Devin]
通讯作者:
McAuley, J. Devin
DOI:
10.1016/j.cognition.2021.104712
发表时间:
2021-04-10
期刊:
COGNITION
影响因子:
3.4
作者:
[McAuley, J. Devin, Wong, Patrick C. M., Margulis, Elizabeth Hellmuth]
通讯作者:
Margulis, Elizabeth Hellmuth
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