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Herder an His Impact

Herder an His Impact
赫尔德及其影响
批准号:
232095191
负责人:
Professor Dr. Michael Maurer
金额:
$0.0万
依托单位国家:
德国
项目类别:
Publication Grants
财政年份:
2013
资助国家:
德国
项目状态:
已结题
起止时间:
2012-12-31 至 2014-12-31
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中文摘要
翻译
本纲要包含了来自广泛学科领域的国际学者(男性和女性)的贡献。它的目标是研究这一领域的一个突出的愿望:赫尔德思想的影响的历史。以下维度是在指南针的范围内:赫尔德在不同时期的意义(从他的生活开始,在浪漫主义时代非常有问题,特别是关于19世纪的研究不足,从1870/71年以来德国历史的几个站来看,政治上是令人担忧的);Herder对不同民族的意义(当然,德国和斯拉夫民族除外;在现代日本与Herder的关系中必须看到一个特殊的话题);“HeMer”的含义要“不同”(especiälly~语言学和文学批评,一般文化研究,包括人类学、哲学、神学、教育学和历史学)。该卷提供了一个非常大的频谱。在37份贡献的多面性范围内,一些突出的主题是:(1)音乐第一次被充分地包括在内。几位年轻的音乐史和理论学者提供了他们对赫尔德对音乐和美学的影响的专门研究的例子,以及不同时期赫尔德对这一领域的贡献的处理。(2)一个重要的口音标志着神学的贡献,并不总是记得作为一个组成部分的赫尔德的思想在以前的时代。(3)一些比较偏僻的贡献是特别有趣的,例如,赫尔德对犹太教的解释,他对非洲的处理,以及他对与文化基本问题联系的历史的解释(以欧洲为中心的历史哲学和对殖民实践的批评)。最后,在包含所有相关领域的研究视角的框架研究中,已经证明Herder不能局限于特定的“图像”(正如过去一些时期所尝试的那样);考虑到他作品的复杂性和普遍性,最遥远的地方(如国家社会主义、共产主义)设想的每一次意识形态上的借用都注定要失败,他的作品的潜力恰恰在他作为不同历史阶段的“伟大刺激者”而受到欢迎时显示出其多产性:他的创新潜力在危机时期一再被感受到。
英文摘要
This compendium contains contributions by international scholars (male and female) from a wide range of academic disciplines. It aims at one of the outstanding desiderata of research in this field: the history of the impact of Herder's thought. The following dimensions are within the reach of compass: The mearung of Herder for different periods (starting from the time of his life, highly problematical in romantic times, especially under-researched concerning the nineteenth century, politically alarming in view of several stations of German history since 1870/71); the meaning of Herder for different nations (except for Germany the Slavic peoples, of course; a special topic has to be seen in the relation of modern Japan to Herder); the meaning of "HeMer"to^iffefent"azsapZmes (especiälly~linguistics and"literary criticism, generals cultural studies, including anthropology, philosophy, theology, pedagogics, and history). The volume offers an extremely large spectrum. Some of the outstanding topics in the multi-faceted range of 37 contributions are: (1) For the first time, music has been included adequately. Several young scholars of musical history and theory contribute examples of their n\ore specialized research on Herder's impact on music and aesthetics and the dealing of different periods with Herder's contributions to this field. (2) A significant accent marks the contribution of theology, not always remembered as an integral part of Herder's thought in former times. (3) Some of the more outlying contributions are of special interest, for instance Herder's interpretation of Judaism, his dealings with Africa, and his interpretation of history in contact with basic problems of culture (Eurocentric philosophy of history and criticism of colonial practices). Finally, in framing studies containing perspectives of research in all the respective fields there has been demonstrated that Herder cannot be confined to a specific 'image' (as has been tried by some of the periods passed); that every attempt on ideological appropriation as envisaged by the most distant quarters (e. g. national socialism, communism) is doomed to failure in view of the complexity and universality of his oeuvre, and that the potential of his works shows its fecundity exactly in his reception as a 'great stimulator' in different phases of history: His innovating potential has been felt repeatedly in times of crisis.
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