Giorgio de Chiricos construction of artistic identity. His autobiographical writings and art theory in the context of Valori Plastici

该研究项目将首次通过话语分析的方法论方法研究乔治·德·基里科（1888-1978）的大量书面作品。它是基于最近的一个研究分支，研究艺术家的形象，关注自我表现、身份和作者的功能。在最初的假设中，假设艺术家运用拼贴式的方式添加了不同的，通常是相互冲突的艺术身份观念来呈现他的自传体自我。该研究项目的目的是揭示基里科在他的自传文本和艺术理论中形成的艺术身份概念，是对传统和最近形式的习惯和地形的挪用和转化。此外，该项目力求突出其建设性和进程性。我们认为这是观众期望和艺术家商业策略相互作用的结果，这是在当代话语中发展起来的。分析的重点是de Chirico在艺术家杂志《Valori Plastici》中的参与，同时强调当代艺术批评与艺术史之间的互动。它不仅将重新定义de Chiricos作为Ritorno all ordinine背景下的所谓领导者的角色，而且还将确定他在现代性和程序性反现代主义之间的立场。

The research project will for the first time examine the extensive written oeuvre of Giorgio de Chirico (1888-1978) by a methodological approach of discourse analysis. It is based on a recent branch of research within studies on the figure of the artist focusing on the questions of self-representation, identity and the function of the author. In an initial hypothesis it is assumed that the artist applied a collage-like addition of different, often conflicting ideas of artistic identity to stage his autobiographical self. The aim of the research project is to disclose the concepts of artistic identity de Chirico formulated in his autobiographical texts and art theory, to be appropriations and transformations of traditional and recent forms of habitus and topoi. In addition, the project seeks to highlight their constructive and processual character. We argue that they result from the interaction of audience expectations and commercial strategies of the artist, which were developed in contemporary discourses. The analysis focuses on the participation of de Chirico in the artist magazine Valori Plastici, while at the same time stressing the interaction between contemporary art criticism and art historiography. It will not only redefine de Chiricos role as the alleged leader of the group in the context of the Ritorno all ordine, but it will also determine his position between modernity and programmatic anti-modernism.