Theater Conversation. Linguistic appropriation practices during theater intermissions

基于对话和语篇分析，该项目考察了戏剧表演中的审美体验是如何在中场休息谈话中获得的，以及与这些实践相关联的交际目的是什么。我们的出发点是一种启发式的假设，即通过干扰日常交流体验的审美方法，可以刺激观众对日常交流中的感知习惯和与之相关的意义结构进行话语反思。该项目假设，个人艺术形式的传统特征是基于交流安排的特定结构和物质，在交流安排中，他们从审美上协商和/或质疑感知惯例，从而质疑观众的既定交流实践。在观众面前进行互动表演的情况下，剧院掌握着各种媒体资源，进行交流的美学谈判，这可以成为后续对话的锚点。在此背景下，本研究旨在经验性地重构以戏剧为动机(包括对戏剧本身的反思)的反映传播和媒介的非正式传播实践。对于实证研究，将通过音频记录的方式建立一个数据库，记录观众在阿波罗剧院西根剧院和肖斯皮尔·科恩剧院演出期间真实的中场对话。在已经进行的初步研究的基础上，该项目的中心将是1.二级语言参考的方法和形式(重新表述、释义、引用、解释、评论、解释、日常审美转换等)。这些将在其正式结构中进行分析，并就其谈判、稳定或质疑以交流方式建立的社会秩序结构的交际功能进行分析；2.从语言上反映戏剧的互动过程，特别是在关于艺术的非正式交流中关于社会身份和立场的构建以及共识和异议的管理方面的阐明和评价；3.产生特定社会情景的互动过程，即中场谈话(例如，它关于时间的设置，以及它作为晚间娱乐和社交事件的框架)。最后，将实证结果与其他艺术传播领域的研究进行比较，并与戏剧和艺术的社会角色理论进行比较。

Based on conversation and discourse analysis, the project examines how the aesthetic experiences during theater performances are taken up in intermission talks and what type of communicative purposes are associated with these practices. The starting point is the heuristic assumption that aesthetic methods of interfering with routines of communicative experience, as they are available to the theater, can stimulate the audience to discursively reflect on perception habits in everyday communication and the structures of meaning related to them. The project assumes that the traditional characteristics of individual art forms are based on the specific structure and materiality of the communicative arrangements, in which they aesthetically negotiate and/or question the perceptive routines and thereby the established communicative practices of the audience. Under the conditions of a performance of interaction in front of an audience, the theater commands varied media resources for the aesthetic negotiation of communication that can become anchor points for subsequent conversations. Against this background, the study aims to empirically reconstruct the informal communication practices of reflecting communication and media that are motivated by the theater (including the reflection on the theater itself). For the empirical study, a corpus of data will be established by means of audio documentation that will document the authentic intermission conversations of visitors during theater productions in the Appollo Theater Siegen and the Schauspiel Köln. At the center of the project based on an already conducted pilot study will be 1. methods and forms of secondary linguistic reference (reformulations, paraphrases, quotations, interpretations, commentaries, explications, everyday aesthetic transformations etc.). These are to be analyzed in their formal structures and with regard to their communicative functions of negotiating, stabilizing or questioning communicatively established structures of social order; 2. interactional processes of linguistically reflecting on the theater, particularly elucidations and evaluations, also with regard to the construction of social identities and positions as well as the management of consensus and dissent in the informal communication about art; 3. interactional processes for the production of a specific social situation, the intermission talk (e.g. its setting with regard to time and its framing as an evening pleasure and social event). The empirical findings are finally to be compared to research on other areas of art communication and set into relation to theories on the social role of theater and art.