Holiness adorns your house Discourses on the "beauty of your house, LORD" in the context of sanctification of monastic life

选择修道主义作为研究的背景，我们选择了这样一个背景，在这个背景中，圣洁被明确地假设为宪法的行为，并将神圣化作为这种特定生活方式的目标。这是在同一时间的背景下对圣像的适当性辩论，这是一个在基督教神学的中心议题，并将在非基督教修辞讨论圣像的背景下讨论，当在12世纪初克莱尔沃伯纳德批评内的教会和寺院生活的一般改革的装饰和图像的丰富在寺院的专属领域；在这里，装饰无法教育文盲的观众，因此，传统的教义论证赞成神圣的艺术没有履行。该项目研究了从11世纪末到13世纪初的神学文本和不朽的肖像节目，考察了它对中世纪晚期图像话语的贡献，并审查了新的图像概念将圣洁作为视觉话语中的中心论点的假设。这一概念是基于诗篇25/26，8“我爱你的房子的美，主”，这最早出现在其字面上的注释作为一个肯定的论点在12世纪的教堂的材料装饰(Suger von St.Denis，西奥菲勒斯长老)。在某种程度上，相应的诗篇92/93，5根据“圣洁装饰您的房子，主，永远”开辟了在修道院和修道院等寺院空间中的视觉节目的概念，为这一专属观众的生活方式开发适当的绘画节目，旨在预期神圣和努力精神疗愈。文本中隐含的审美维度是很容易理解的，可以通过保存下来的杰出古迹来分析。当修道院的生活成为人们关注的焦点时--最近的一次是乔治·阿甘本以创新的方法作为一种配置--对特定的修道院类型的装饰的视觉配置的研究增加了它复杂的注释。除了在对已知文本和装饰合奏的分析中有新的发现外，还将引入鲜为人知的普鲁芬宁的博托的《德多莫迪》以及寺院的一个新的合奏--S礼拜堂--以及完整壁画的合奏。

Choosing monasticism as the context of study, we choose a context in which holiness is explicitly postulated as an act of constitution and sacralization as a goal of this specific way of life. It is in the same time the context where the debate on the appropriateness of holy images, which is a central topic in Christian Theology and to be discussed in the context of non-christian dicourses on holy images, is intensified when in the early 12th century Bernard of Clairvaux criticized within the general reform of the Church and the monastic life the opulence of decoration and images in the exclusive sphere of monasteries; here the décor could not function to educate an illiterate audience; thus the traditional didactic argument in favor of sacred art was not fulfilled. The project studies theological texts and monumental iconographic programs from the late 11th until the turn of the 13th century looking at its contribution to the discourses on images of the High Middle Ages and examines the assumption that the new pictorial concepts take up holiness as a central argument within the visual discourse. This notion is based on psalm 25/26,8 “I love the beauty of your house, LORD” which first appeared in its literally exegesis as an affirmative argument for the material decoration in churches in the 12th century (Suger von St. Denis, Theophilus presbyter). The in some way corresponding psalm 92/93,5 according to which “Holiness adorns your house, LORD, for all time” opens up the way for the conception of visual programs in monastic spaces such as the presbytery and the cloister to develop appropriate pictorial programs for the way of life of this exclusive audience aimed at anticipating sacredness and striving for spiritual healing. The implicit aesthetic dimension within the texts is easily comprehensible and can be analyzed by means of the outstanding preserved monuments. When the monastic life becomes the focus of attention – most recently by Giorgio Agamben under the innovative approach as a dispositif –, the study of the visual dispositif of decoration of specific monastic kind of Domus Dei adds on to its complex exegesis. Besides new findings in the analysis of known texts and ensembles of décor, the Tractatus of Boto of Prüfening, De domo Dei, which has barely been acknowledged, as well as a new ensemble of a monastery´s chapel with complete mural painting will be introduced into research.