Circulation in Spaces of Knowledge Between Asia and Europe: G.E. Rumphius and his Texts, circa 1670-1755

该项目在17世纪和18世纪欧洲在亚洲的殖民企业的背景下，对知识史作出了贡献。荷兰东印度公司(VOC)的欧洲官员与今天印度尼西亚的土著居民的互动将以驻扎在摩鹿加群岛的VOC商人G.E.Rumphius为例，他在那里制作的文本表明，海外对自然的知识生产不能只在欧洲进行。相反，自然历史知识的产生和接受处于亚洲和欧洲参与者之间的文化接触之中，是一个具有动态的流通过程，构成了欧亚之间新的知识空间。在这个富有生产力的第三空间内，各种形式的知识发生了混合，这将通过对Amboinsche Rariteitkamer(Ambonese好奇号内阁，阿姆斯特丹1705)和六卷Amboinsche Kruid-Boek(Ambonese Herbal，阿姆斯特丹1741-1750)的分析来证明。该项目旨在描述和分析伦菲斯的文本及其背景所构成的动态知识空间的中介性和实质性。该项目从文化研究的角度提供了这两本仍在使用的植物学和动物学参考资料。Kruid-Boek是为专家观众制作的，是通过系统的描述来构建的，而Rariteitkamer的组装是为了考虑收藏家，并严重依赖轶事。因此，该项目可以比较和分析制作和展示的各种方法和战略。《稀世佳人》将在第一阶段进行分析。历史部分第一部分以拉图·S意义上的网络为基础，遵循交换的物品和书面材料，分析欧洲和亚洲演员在伦菲斯周围的流通。补充的语言学部分I.2重建了所使用的知识清单的来源--作者的经验观察、摩鹿加岛当地知识和欧洲图书知识--以及传统主题和叙事模式的混合。Kruid-Boek将在第二阶段进行调查。历史部分II.1绘制了由植物部位、草本植物和书籍发起的探索性实践。文献学部分通过比较所选的旅鼠和《安邦》的叙事整合及其碎片化的矛盾心理，从系统分类的角度分析了《安邦》的展示策略。该项目首次将文化研究成果作为后殖民知识史合并在一份联合出版物中，并在更广泛的欧亚背景下进一步整合了早期现代荷兰殖民史及其文本、插图和实物。

This project contributes to the history of knowledge in the context of the European colonial enterprise in Asia in the 17th and 18th centuries. The interaction of European officials of the Dutch East India Company (VOC) with the indigenous population in what is Indonesia today will be exemplified by the VOC-merchant G.E. Rumphius, who was stationed on the Moluccas, and the texts he produced there to show that the production of knowledge about nature overseas cannot be located exclusively in Europe. On the contrary, the production and reception of knowledge about natural history is situated in cultural contact between Asian and European actors and framed as a process of circulation with dynamics that constituted new spaces of knowledge between Europe and Asia. Within this productive Third Space a hybridisation of diverse forms of knowledge took place, as will be proven with analyses of the Amboinsche Rariteitkamer (Ambonese Curiosity Cabinet, Amsterdam 1705) and the six volumes of the Amboinsche Kruid-boek (Ambonese Herbal, Amsterdam 1741-1750). The project aims to describe and analyse the mediality and materiality of those dynamic spaces of knowledge that have been constituted by Rumphius´ texts and their contexts. The project makes accessible the two compendia, which are still in use as botanical and zoological references, from the perspective of cultural studies. The Kruid-boek, produced for an expert audience, is structured by systematic description, while the Rariteitkamer was assembled with collectors in mind and relies heavily on anecdotes. Therefore the project can compare and analyse a broad spectrum of methods and strategies for production and presentation. The Rariteitkamer will be analysed in phase I. The historical part I.1 analyses the circulation between European and Asian actors around Rumphius on the basis of a network in Latour´s sense, following the exchanged objects and written source materials. The complementary philological part I.2 reconstructs the sources of the knowledge inventories used - empirical observation by the authors, Moluccan local knowledge, and European book knowledge - as well as the hybridisation of traditional subject matter and narrative patterns. The Kruid-boek will be investigated in phase II The historical part II.1 maps the explorative practices that were initiated by plant parts, herbaria, and books. The philological part II.2 analyses the display strategies by comparing selected lemmata as well as the ambivalence of the narrative integration of the habitat Ambon and its fragmentation by systematic-taxonomic ordering. For the first time, this project merges findings from cultural studies as postcolonial history of knowledge in a joint publication and additionally integrates early modern Dutch colonial history and its texts, illustrations and objects in a wider European-Asian context.