Performative competency as basis for economically successful activity in Spanish and French novels of the early modern age. A historic discourse analysis of the correlation between theatrality, economics and subjectivity in 'minor' novelistic literature f

这项计划中的研究想要在文学之前(即18世纪文学领域或体系发展之前)出现的文本中检索关于经济人的文学知识。企业家自我的历史可以追溯到很久以前的历史：它可以追溯到资产阶级主题的早期原型从戏剧和经济行为的相互作用中产生，并在中间的消解中变得可见--即在剧院的场景或文学文本中。早在16世纪下半叶的西班牙文学中就可以观察到这样的星座：在流浪汉小说(Lazarillo de Tormes，Guzmán de Alfarache，Pícara Justina，BUSCón，Marcos de Obregón)中，主题、戏剧性和经济学以一种典型的新方式相遇。在这里，连接封建秩序和神圣秩序的上帝神学的承诺被一种新的社会逻辑所侵蚀，这种新的社会逻辑将交换(陶什)和幻觉的生产(Täuschung)联系在一起，这就是市场和奇观。在流浪汉小说(已经)中，我想肯定的是，行为能力被证明是经济成功活动的基础--在这里，交换(Tausch)和幻觉的产生(Täuschung)在功能上是相互关联的。这一复杂的问题转移到17世纪的法国小说(《法兰西翁的喜剧历史》、《耻辱的佩奇》、《罗马的喜剧》、《罗马的资产阶级》)，以孕育出在现代小说中得到最终表达的资产阶级主题。因此，《拉扎里罗》标志着经济人的文学模型的历史的开始。这项研究旨在重建这一主题的文学谱系，同时考虑其在经济决定的话语语境中的轮廓(他们也存在于经济之前：从路易斯·奥尔蒂斯、蒙克雷斯蒂安和雅克·萨瓦里到亚当·斯密和荣格-斯蒂林)。

The planned study wants to retrieve the literary knowledge about of the economic man in texts which have come into existence in the age 'before literature' (i.e. before the development of a literary field or system in the 18th century). The history of the entrepreneurial self reaches far back into history: it can be traced back till the moment when an early antetype of the bourgeois subject emanates from the interplay of theatrical and economic behaviour and becomes visible in the mediatic dispositive - i.e. on the scenes of theatres or in the literary text. Already in the Spanish literature of the second half of the 16th century such a constellation can be observed: In the picaresque novel (Lazarillo de Tormes, Guzmán de Alfarache, Pícara Justina, Buscón, Marcos de Obregón), subject, theatrality and economics meet in a paradigmatically new way. Here, the promise of the providential oikonomia that interconnects feudal and divine order is eroded by a new social logic which correlates exchange (Tausch) and the production of illusion (Täuschung) and that is market and spectacle. In the picaresque novel (already), that is what I want to affirm, performative competency turns out to be the basis of economically successful activity - already here exchange (Tausch) and the production of illusion (Täuschung) are functionally interlocked. And, this complex of problems shifts into 17th century French novel (Histoire comique de Francion, Le Page disgracié, Le Roman comique, Le Roman bourgeois) in order to give birth to the bourgeois subject that finds its final expression in the modern novel. The Lazarillo thus marks the beginning of a history of the literary modellation of the economic man. The study aims at reconstructing the literary genealogy of this subject with simultaneous consideration of its profiling in economically determined discursive contexts (which, they too, exist 'before economy': from Luis Ortiz, Montchrestien and Jacques Savary to Adam Smith and Jung-Stilling).