FOR 2603: Russischsprachige Lyrik in Transition: Poetische Formen des Umgangs mit Grenzen der Gattung, Sprache, Kultur und Gesellschaft zwischen Europa, Asien und Amerika

自20世纪末以来，诗歌经历了意想不到的流行和生产力的激增，尽管诗歌在欧洲是一种相当边缘和精英的流派。不同社会群体、不同年龄、不同语言、不同文化的人们不仅在读诗，而且在写诗。这在俄罗斯尤其如此。苏联解体后，作家、学者和评论家重新组织起来，并扩大了他们的注意力，将国际文学纳入了俄语。通过利用媒体和传播的新可能性，罗斯语言诗歌已经传播到一个跨国领域，吸引了其他语言和国家定义的文学。拟议的项目调查了这一研究领域，从改革(1985年)开始到现在。基于历史、政治和文学因素，该项目将其范围限制在俄语诗歌在三个区域背景下的作用：欧洲、亚洲和美洲。在这三种情况下，无论是由于移民、文学影响还是地理上的接近，都存在着一种突出的和日益增长的交流；在每一种情况下，本项目都采取了必要的步骤，考虑到诗歌特定于土著和相关环境的条件。这个项目的指导问题是过渡，这是当代诗歌的一个关键特征，具有多种形式和功能。在当代诗歌中，过渡具体指四种类型的边界，对应于以下四个研究领域：(F1)体裁(S)、(F2)语言(S)、(F3)文化(S)和(F4)社会/社会之间的边界。在最初的应用阶段，该项目将专注于俄语诗歌及其与德语、汉语和日语诗歌的重要文学关系。在扩展阶段，研究领域将扩大到包括(A)英语和罗曼斯语诗歌，(B)其他媒介、体裁和学科中的当代诗歌，以及(C)不同体裁转换之间的比较。提出这个项目的团队已经建立了一个独特的学科和研究人员星座，其中包括一个由150人组成的网络，他们在特里尔大学从事诗歌研究，在科学界享有国际声誉。这个网络最有资格解决上述问题和研究领域。因此，该项目将以斯拉夫研究系为基础，建立一个独一无二的国际流派、媒体和文化研究中心，使用对当代诗歌背景特别重要的比较框架。

Poetry has experienced unexpected popularity and a surge in productivity since the end of the 20th century, despite being a rather marginal and elitist genre in Europe. People of all social groups, age groups, languages, and cultures are not only reading poetry but also writing it. This is particularly true in Russia. Following the collapse of the Soviet Union, writers, scholars, and critics reorganized themselves and expanded their attention to include international liter-ature in Russian. By taking advantage of new possibilities in media and communication, Rus-sian-language poetry has spread throughout a transnational field, engaging other languages and nationally defined literatures. The proposed project investigates this research area, span-ning a period from the beginning of the Perestroika (1985) to the present. On the basis of historical, political, and literary factors, the project limits its scope to the role Russian-language poetry plays in three regional contexts: Europe, Asia, and the Americas. In all three cases, a prominent and growing exchange exists, whether due to emigration, literary influence, or geo-graphical proximity; and, in each case, this project takes the necessary step of accounting for the conditions of poetry specific to native as well as relational circumstances. The guiding question of this project is transition, a key feature of contemporary poetry, in its multiple forms and functions. In contemporary poetry, transition refers specifically to four types of boundary, corresponding to the following four research areas: boundaries between (F1) genre(s), (F2) language(s), (F3) culture(s), and (F4) society/ societies. During the initial application phase, the project will focus on Russian language poetry and its significant literary relationships to German, Chinese, and Japanese poetry. In the extension phase, the research area will expand to include (a) poetry in English and the Romance languages, (b) contemporary poetry within other media, genres, and disciplines, and (c) comparisons among different kinds of genre tran-sitions. The team proposing this project has established a unique constellation of disciplines and researchers, including a network of 150 individuals who hold international acclaim in the scientific community for their engagement with poetry at the University of Trier. This network is optimally qualified to address the questions and research areas described above. Based in the department of Slavic Studies, the project will thus establish a one-of-a-kind center for in-ternational research on genre, media, and culture using a comparative framework distinctively significant to the context of contemporary poetry.