Roles in relation: The poetic I in different genres in Pindar

这个项目是关于早期希腊抒情诗人平达尔(此后被贴上诗意的I)的诗歌中的说话角色。早期希腊抒情诗的特点是高度呈现诗意的我；如何理解诗意的我，因此对于诗歌的解释是一个非常重要的问题。然而，这个问题在学者中有争论，尤其是关于品达，它现存的语料库是到目前为止最大的早期希腊抒情诗。这个项目旨在为这个问题提供一个新的视角，调查一个被忽视但仍然至关重要的方面，即。诗意的我如何与文本中提到或暗示的其他人物建立关系，以这种方式定义自己的角色。这项研究将不仅涉及完整保存下来的小诗，而且将涉及品达的整个诗歌，包括所有已知的体裁。因此，将特别关注这些片段，它们只占保存下来的文本的四分之一，但代表了平达尔原始作品的更大部分(根据Vita Ambrosiana的目录，17本书中有13本)，并且仍在形成一个体面的语料库(根据Maehler的版本，177页Teubner页)。同时，对不同流派的比较研究将为品达作品中的统一性和多样性问题提供新的线索。

This project is concerned with the speaking persona in the poems of the early Greek lyric poet Pindar (henceforth labelled poetic I). Early Greek lyric is characterized by a highly present poetic I; how the poetic I is to be understood, is therefore a question of great importance for the interpretation of the poems. This question, however, is debated among scholars, and it is especially debated with regard to Pindar, whose extant corpus is by far the largest in early Greek lyric. This project aims to offer a new perspective on the problem, investigating a neglected, but nevertheless crucial aspect, viz. how the poetic I establishes relations to other figures mentioned or implied in the text, this way defining its own role. The study will not only deal with the completely preserved epinicia but with the whole of Pindar's poetry, including all known genres. Consequently, a special focus will be on the fragments, which amount to only one quarter of the preserved text but represent the by far larger portion of Pindar's original production (13 out of 17 books, according to the catalogue in the Vita Ambrosiana) and are still forming a respectable corpus (177 Teubner pages according to Maehler's edition). The comparative study of the different genres will, at the same time, shed new light on the question of unity and diversity in Pindar's oeuvre.