Nonconformist Visions. Alternative Art and Culture in Central and East Europe: Descripting Papers of nonconformist Artists and their Artist’s Publications in the Archive of the Research Center for East European Studies.

最近，不来梅大学东欧研究中心（FSO）的档案馆经历了一场对中欧和东欧艺术家个人文件的非凡热潮。对研究人员、策展人和记忆机构日益增长的需求，可以解释为最近对社会主义晚期的普遍兴趣，以及对不同意见和不墨守成规的各种形式的表达。该项目满足了为学者提供必要的论文和数据的日益增长的兴趣。这些项目旨在为论文编制索引，提供书目说明，并使跨国专题参考文献可见。在创造重要的前提条件中，关于艺术作为接触空间的跨国维度以及异议和共识之间艺术作品的物质性的问题可以得到解决。苏联不墨守成规的艺术家的跨国网络和20世纪70年代和80年代的国际邮件艺术场景是主要的焦点。除了艺术理论家鲍里斯·格罗伊斯（Boris Groys）或艺术家夫妇谢尔盖·西吉（Sergey Sigey）和里·尼科诺娃（Ry Nikonova）等重要人物的论文外，该项目还收集了克劳斯·格罗伊来自苏联、波兰、德意志民主共和国、捷克斯洛伐克和匈牙利的艺术家出版物。在与共同图书馆协会中心的合作下，元数据将被引入国家和国际联盟。通过在osmikon， arthistoricum.net，德国国家签名和个人文件在线门户网站，以及在特定学科的在线门户网站俄罗斯艺术档案网络和欧洲艺术网中呈现元数据，可见性和可用性显着提高。在处理个人文件和艺术家出版物的过程中，很少或不知名的中欧和东欧艺术家、艺术家团体和地下出版社被列入联合权威文件（GND）中。通过将数据导入到GND中并使叙词表可通过数据中心DANTE访问，该项目为网络信息资源做出了贡献。

Of late, the archive of the Research Center for East European Studies (FSO) at the University of Bremen has experienced a remarkable rush on personal papers of Central and Eastern European Artists. This growing demand of researchers, curators and memory institutions can be explained by a recent interest in generally late Socialism and in various forms of expression of dissent and nonconformism. The project answers to this increasing interest in providing necessary papers and data for scholars. The projects aims to index papers, provide bibliographic descriptions and make transnational thematic references visible. In creating important preconditions questions on on the transnational dimension of art as a contact space and the materiality of artistic productions between dissent and consensus can be adressed. Transnational networks of Soviet nonconformist artists and the international Mail-Art scene of the 1970ies and 1980ies are the main focus. Beside papers of such important actors like the art theorist Boris Groys or the artist couple Sergey Sigey and Ry Nikonova, the collection of Klaus Groh’s artist’s publications from the Soviet Union, Poland, GDR, Czechoslovakia and Hungary is being processed within the project. In cooperation with the Centre of the Common Library Association (VZG) metadata will be imported into national and international union. Visibility and Usability are significantly increased by the presentation of metadata in osmikon, arthistoricum.net, the german national online portal for Autographs and Personal Papers Kalliope, as well as in the discipline-specific online portals Russian Art Archives Networks and European Art Net. In the course of processing personal papers and artist’s publications little or not-known Central and Eastern European artists, artist groups and underground publishing houses are listed, which are not yet available in the joint authority file (GND). By importing data into the GND and making thesauri accessable via the datahub DANTE, the project contributes to networking information resources.