The Epigrammatic Gaze: The Italian Rediscovery of the Planudean Anthology and the Transformation of the Renaissance Culture of Viewing Art.

近几十年来，人们对文艺复兴时期意大利的"姊妹艺术"之间的关系以及古代资料在艺术家和作家如何理解和实验视觉和语言媒体的互动方面所起的示范作用产生了稳定的兴趣。在这种情况下，学者们非常关注早期现代意大利诗人对《Anthologia Planudea》中所传播的赞美诗的接受程度，Anthologia Planudea是希腊和希腊化的警句，从世纪后半叶开始广泛流传，并在半岛引起了无数的翻译和模仿。一些人也考虑到了该系列的相关性，以澄清许多文艺复兴时期艺术品的图像。然而，在现代早期的意大利，重新发现这一独特的文学门户，以恢复希腊古代的视觉文化的艺术史进口仍然在很大程度上未被发现。拟议的项目将首次评估Planudea的中心地位，作为意大利文人用语言表达观看，评估和解释图像的经验的一些关键方式的来源。与此同时，本研究旨在阐明《文集》的挪用所带来的话语层面的深刻变革如何反映了不断变化的艺术景观所带来的挑战。研究将集中在广泛的早期现代艺术文本，这些文本是在半岛的许多文化中心制作的，跨越了近150年来最受欢迎的时期（约150年）。1470年至1610年）。通过强烈的跨学科方法，它将询问这些材料-包括许多意大利和新拉丁诗歌，部分以前未发表，对这些艺术家的创作，如安德烈曼特尼亚，列奥纳多，维托尔卡尔帕乔，多索多西，和巴乔班迪内利，以及庞波纽斯·高里库斯（Pomponius Gauricus）的《雕塑》（De Sculptura，1504）等论文，了解Planudea的接收方式与艺术品的生产，展示和消费的新模式相结合。通过这样做，该项目将重建文艺复兴时期意大利文学和艺术文化之间交流的一个最有意义的、基本上未被探索的方面，在这个方面，文字和图像在一个流动的、双向的交叉施肥过程中相互交流。

Recent decades have seen a steady surge of critical interest in the relations between the “sister arts” in Renaissance Italy, and in the exemplary role that ancient sources had in how artists and writers from that historical context understood and experimented with the interaction of visual and verbal media. In this vein, scholars have paid significant attention to the receptiveness of early modern Italian poets to the encomiastic topoi on images disseminated in the Anthologia Planudea, a florilegium of Hellenic and Hellenistic epigrams that, from the second half of the 15th century, circulated extensively and gave rise to myriad translations and imitations in the Peninsula. Some consideration has also been given to the relevance of that collection for clarifying the iconographies of many Renaissance artworks. However, the art-historical import of the rediscovery, in early modern Italy, of that unique literary gateway to retrieving the visual cultures of Greek antiquity remains largely undetected. The proposed project sets out to assess, for the first time, the centrality of the Planudea as a source for a number of pivotal ways in which Italian literati verbalized the experience of looking at, evaluating, and interpreting images. At the same time, the study aims at illuminating how the deep transformations at the discursive level brought about by the appropriation of the Anthology mirrored the challenges posed by an evolving artistic landscape. Research will focus on a wide range of early modern texts on art that were produced in numerous cultural centers of the Peninsula and span the nearly 150-year period of greatest popularity of the florilegium (ca. 1470‒1610). By means of a strongly interdisciplinary approach, it will interrogate these materials – including numerous Italian and Neolatin poems, in part previously unpublished, on the creations of such artists as Andrea Mantegna, Leonardo, Vittore Carpaccio, Dosso Dossi, and Baccio Bandinelli, as well as treatises such as Pomponius Gauricus’s De Sculptura (1504) – to understand the ways in which the reception of the Planudea intersected with new modes of production, presentation and consumption of artworks. By doing this, the project will reconstruct a most meaningful, and largely unexplored, aspect of the interchange between literary and artistic cultures in Renaissance Italy, one in which words and images informed each other in a fluid, two-way process of cross-fertilization.